Tag Archives: 2012

Mar 22

‘Ma Rainey’ Sings the Music of the Soul

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Yvette Freeman and Corey Allen in August Wilson’s MA RAINEY’S BLACK BOTTOM. March 9 – April 8, 2012 at the BU Theatre. huntingtontheatre.org. Photo: T. Charles Erickson.

Ma Rainey’s Black Bottom by August Wilson, Huntington Theatre Company, 3/9/12-4/8/12, http://www.huntingtontheatre.org/season/production.aspx?id=10262&src=t.

Reviewed by Becca Kidwell

(Boston, MA) Music breathes and pulses as each note is played.  The blues provide a voice for the inexpressible feelings of the human experience.  The blues celebrate the good, the bad, and the ugly parts of life in its entirety; it is neither surprising that the blues came out of the African American spiritual tradition, nor that soul, r&b, and hip-hop were derived from the blues and at the core of the best is the heart and soul of the artist.  What happens when that soul is taken away?  Can the heart survive?

This question permeates the existence of each of the characters in August Wilson’s play Ma Rainey’s Black Bottom.  Continue reading →

Mar 20

The Man From Earth: A Mystery of History

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Photo by Reid Gilman

Jerome Bixby’s The Man From Earth by Richard Schenkman, Hovey Players, 3/9/12-3/24/12, http://www.hoveyplayers.com/news/2011-2012-season/jerome-bixby%E2%80%99s-the-man-from-earth/.

Reviewed by Anthony Geehan

(Waltham, MA) The phrase “history is written by the victors” is a saying that shows a built in flaw in the study of our past. The idea that a subject that must be completely impartial and factual is weakened when records that are worked with could be exaggerated at some points and completely falsified at others. This concept of incomplete information is the main theme of Jerome Bixby’s The Man From Earth, the science fiction mystery piece currently being performed by Waltham’s The Hovey Players at The Abbot Memorial Theater. Continue reading →

Mar 19

Scenes from the Mausoleum: THE MOURNERS’ BENCH

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Trinity Rep resident company members Phyllis Kay (Caroline) and Janice Duclos (Wilma) in The Mourners’ Bench, a world premiere by George Brant, directed by Michael Perlman. Now playing at Trinity Repertory Company as part of the Three by Three in Rep. Sets by Michael McGarty, Costumes by William Lane, Lighting by Dan Scully. Photo by Mark Turek.

The Mourner’s Bench by George Brant, Trinity Repertory Company, 3/7/12-5/24/12, http://www.trinityrep.com/on_stage/current_season/mb.php.

Reviewed by Craig Idlebrook

(Providence, RI) A moment of violence can leave its mark on many, including those who never experienced it.  The Trinity Repertory Company’s production of The Mourner’s Bench bravely tries to examine a traumatic event through three disparate lenses that traverse time and family, but the effort ultimately fails to create a cohesive vision of loss and healing.  Continue reading →

Mar 18

Apocalypse Weird: BOOM

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Photo by Peter Goldberg

BOOM by Peter Sinn Nachtreib, Sandra Feinstein Gamm Theatre, 3/8/12-4/8/12,

http://www.gammtheatre.org/OurSeason/Season2720112012/Boom/tabid/
332/Default.aspx. contains nudity.

Reviewed by Craig Idlebrook

(Pawtucket, RI) Every creation story has a few holes in it, be it the Big Bang or the Garden of Eden.  (I will now pause for defenders of said creation stories to get snippy.)  But few creation stories have holes as absurdly funny as in the play Boom, which is now playing at the Gamm Theatre in Rhode Island.

Boom may best be described as what happens after you have to back up your statement of “Not if you were the last person on Earth.”  Continue reading →

Mar 17

We Have Mental Illness: NEXT TO NORMAL

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A woman (Kerry A. Dowling) fantasizes about her psychopharmacologist (Chris Caron) in a scene from the SpeakEasy Stage Company production of Next to Normal, running now thru April 15th at the Stanford Calderwood Pavilion at the Boston Center for the Arts, 527 Tremont Street, in Boston’s South End. Tix/Info: 617-933-8600/www.SpeakEasyStage.com. Photo: Craig Bailey/Perspective Photo.

Next to Normal; Music by Tom Kitt, Book and Lyrics by Brian Yorkey, SpeakEasy Stage Company, Boston Center for the Arts Roberts Studio Theatre, 3/9/12-   4/15/12,   EXTENDED THROUGH 4/22/12 (Second and Final Extension)!!! http://www.speakeasystage.com/doc.php?section=showpage&page=normal.

Read Rebecca’s interview with Kerry Dowling here.

Reviewed by Craig Idlebrook

(Boston, MA) Break a toe and you might end up with a sore back.  Twist an ankle and your knee might have trouble compensating.  A family is like that.  It is a group of humans that moves in concert and is much more adaptable than a body, for better or worse.  When a part of the social organism is injured, the other parts imperfectly try to take up the load.  What else can you do, amputate?

Speakeasy’s production of Next to Normal provides a clear window into the holistic impact the mental illness of one member of the family has on the family-body.  It realistically and powerfully illustrates how we all soldier on when there are pieces of us missing.  But this isn’t an “Eat-Your-Vegetables-and-Learn-About-Mental-Illness” production.  Next to Normal provides pitch-perfect comedic timing, layered action, great music and a stunning set.  Life flows through this play; though it is heartbreaking, it is not a requiem.  Tissues are a must, however. Continue reading →

Mar 17

A Muddled Shrubbery: INTO THE WOODS

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Into the Woods; music and lyrics by Stephen Sondheim, book by James Lapine, Nextdoor Theater Company, Nextdoor Center for the Arts, 3/9/12-3/24/12,

http://www.nextdoortheater.org/Nextdoor_Theater/THEATER_SHOWS.html.

Reviewed by Craig Idlebrook

(Winchester, MA) Be careful what you wish for.  No, wait. It’s a jungle out there.  No, wait.  No day but today.  No, wait.  Teach your children well.  No, wait. Continue reading →

Mar 16

Crave & Beyond The Light: Emotional Explosion

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Daniel J. Raps, Erin Rae Zalaski, Jesse Wood, and Christina Malanga in Beyond the light — at Calderwood Pavilion; photo credit Heart and Dagger Productions

Abigail Matzeder, Michael Underhill, and Terrence Patrick Haddad in CRAVE — at Calderwood Pavilion, Photo Credit: Heart and Dagger Productions

Crave by Sarah Kane and Beyond the Light by Joey C. Pelletier, Heart & Dagger Productions, Boston Center for the Arts Rehearsal Hall A, 3/9/12-3/17/12, http://www.heartanddagger.org/.Partial nudity and mature themes

Reviewed by Becca Kidwell

(Boston, MA) Many have tried to dramatize depression to mixed results. The problem tends to be that depression by it’s very nature is a passive thing-the person doesn’t want to do anything. Heart & Dagger escapes the trap of a dry, clinical look at depression by presenting two one acts that cut to the visceral core of despair and the fight to survive.

Continue reading →

Mar 15

The Play About The Baby – Or Is It?

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Lynn R. Guerra (Girl), Janelle Mills (Woman), Bob Mussett (Man), Zachary Eisenstat (Boy). Photo Credit: Alison Naturale

The Play About The Baby by Edward Albee, Exquisite Corps Theatre, Boston Center for the Arts Black Box Theatre, 3/7/12-3/31/12, http://www.exquisitecorps.org/.  Contains nudity.

(Boston, MA) Innocence and responsibility intertwine with reality and absurdity in Exquisite Corps Theatre’s production of The Play About The Baby.  A young couple, known only as boy and girl, explore their relationship as they bring new life into the world.  Through wicked twists and turns the couple spend their time trying to be intimate while they are constantly interrupted, first by the baby and then by a man and woman who act as a cross between social anthropologists and time-share sales people (although no time-shares were sold in the making of this play). Continue reading →

Mar 11

Making a Point with a 2 x 4: RECENT TRAGIC EVENTS

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Recent Tragic Events by Craig Wright, Whistler in the Dark, The Factory Theatre, 3/9/12-3/24/12, http://www.whistlerinthedark.com/productions/recenttragicevents.html.

Reviewed by Craig Idlebrook

(Boston, MA) The subject of free will vs. determinism is a fun one to debate, a question that has been the bane of my ex-father-in-law’s existence for decades.  It also has been well-covered in theatre and movies, including in the play Rosencrantz and Guildenstern are Dead.  As this multi-leveled play proves, a play that argues a point must balance storytelling with its agenda to be successful.

Unfortunately, the fine storytelling and performances of Whistler in the Dark’s Recent Tragic Events is marred by gimmicks to drive home the idea that our lives are predestined.  The gimmickry, from a sock puppet stand-in for Joyce Carol Oates to some shenanigans that mess with the borders of the play, would be doubly frustrating if it weren’t for the delivery of one of the best acting performances of the year by lead actor Aimee Rose Ranger. Continue reading →

Mar 10

Impressive, Uneven and Important: REFLECTIONS OF A ROCK LOBSTER

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Felix Teich as ‘Paul Guilbert’ and Ian Shain as ‘Aaron Fricke’, Photo by Saglio Photography, Inc.

Reflections of a Rock Lobster by Burgess Clark, based on the true story of Aaron Fricke, Boston Children’s Theatre, Wimberley Theatre at Boston Center for the Arts, 3/3/12-3/11/12, http://bostonchildrenstheatre.org/season/rocklobster/.

Reviewed by Craig Idlebrook

(Boston, MA) To be a gay teen often has meant living every moment in hostile territory, where everything you do is wrong because of who you are.  Too often, it has meant years of enforced isolation and violence.

This is what the Boston Children’s Theatre production of Reflections of a Rock Lobster does best, creating the claustrophobia of a gay teen’s world where everything feels hostile, including one’s own feelings.  The play, put on by the Boston Children’s Theatre with a few grown-ups thrown in the mix, chronicles the true story of a pair of trailblazing gay teens who in 1980 challenged their school’s ban on same-sex couples at the prom and made the world a little bit less hostile.  Continue reading →