Aug 20

Acoustica Electronica: Dance Theater for Club Kids and Social Butterflies

AcousticaElectronica: presented by toUch Performance Art

Club Oberon, August 3, 2012 to August 24, 2012, Fridays 10:30pm

toUch Performance Art                          toUch Performance Art Facebook Page

Review by Kitty Drexel

Photo Credit: toUch Performance Art

(Cambridge, MA) Acoustica Electronica (AE) is Dance Theater that blends music spanning 300 years, wrapped in operatic cellophane and wrapped in a pink party-kid ribbon. AE is realized as a club scene exuding the kind of immature sexual desperation usually found in strip joints. It has many elements that make up an excellent performance but together, these elements fall short of the experience AE hopes to create. Continue reading

Aug 14

ANNOUNCEMENT-NO ROOM FOR WISHING Kickstarter Begins

No Room for Wishing

kickstarter website:  http://www.kickstarter.com/projects/563348135/the-world-premiere-of-no-room-for-wishing

September 13 – 22 at the Boston Center for the Arts Plaza Black Box Theater and September 30 – October 9 at Central Square Theater’s Studio Theater

My interview with Danny Bryck from May:  https://www.netheatregeek.com/2012/05/20/geeks-nerds-and-artists-episode-7-danny-bryck/

(copy from kickstarter page)

“Hailed by Company One’s Artistic Director Shawn LaCount as, “an important and timely play by one of Boston’s most dynamic young theatre makers,” No Room for Wishing is comprised only of exact words compiled from interviews and live recordings at the occupation of Dewey Square from October to December of 2011.  Both personal and political, the show pieces together the voices and experiences of a diverse range of individuals into the larger story of the Occupy movement, both in Boston and as a whole.

No Room for Wishing follows Occupy Boston from its formation, through clashes with the police, infighting among the activists, legal battles and collective victories, to its eviction by the City of Boston. The play’s real-life characters, played by a single actor, represent a diversity of age, race, occupation, opinion and background, from college students to bankers to lifelong activists to the homeless. Their stories shed light on the complex identities and contradictions of Occupy, and of contemporary America.

The play has been in development for the past ten months, and has been presented in readings and workshop productions at Apollinaire Theatre Company, the Wall Street to Main Street Festival in Catskill, NY, Central Square Theater, and Boston University. The show has had a powerful impact on those who have seen it so far, and we want to bring it to a wider audience.

The World Premiere

In honor of the one-year anniversaries of Occupy Wall Street and Occupy Boston, No Room for Wishing will have its world premiere this fall. Company One and Central Square Theater, two of Boston’s most vibrant theatre companies, will co-produce the play, with support from Boston Playwright’s Theatre. The production is still dependent largely upon independent fundraising. With your help, the play will run September 13 – 22 at the Boston Center for the Arts Plaza Black Box Theater and September 30 – October 9 at Central Square Theater’s Studio Theater. We also hope to bring the show to other venues, including local schools and universities, and to tour the show beyond Boston. Your donation will go towards materials needed for this production, stipends for the actor, director, designers, and post-show discussion facilitators, the accrued costs of developing and touring the play, and more.

The Story

[Danny[ started working on No Room for Wishing in early October 2011, about a week into Occupy Boston’s occupation of Dewey Square. He had been interested for some time in documentary theatre in the style of Anna Deveare Smith, the Tectonic Theater Project, etc., and was feeling more and more of a need to unite his artistic pursuits with my political ideals. He began interviewing people on site, and the project continued to evolve from there as my understanding of the movement deepened, events unfolded, and stories he collected from people began to shape the direction of the piece. On the one hand, he wanted this play to serve as a deeper and more meaningful account of Occupy than Americans were getting from the news, and to challenge preconceived notions of why someone might decide to Occupy and what Occupy sought to and could achieve. On the other hand, he knew it was important for the play not to have a singular agenda, but rather be a genuine attempt at capturing all the rich complexity and contradiction of these people, this time, and this place, without apology.

Bryck wanted the play to ask – not necessarily answer – how do we relate to each other as individuals and as perceived groups in our society, what do we value, and what happens when we try to actively break down and reinvent those structures, those relationships, and those values? And he wanted to pose those questions indirectly, by letting the individuals and the events speak for themselves, forcing the audience to draw their own, hopefully new and more informed, conclusions. He believes this sort of true investigative process is sorely lacking in our society. Perhaps the main purpose of this play is to address that need.

To find out more, visit dannybryck.com/noroomforwishing. You can also listen to an interview about the project on The Bridge – Arts for the 99%, and watch a performance of an excerpt from No Room for Wishing on The Civilians’Occupy Your Mind.

Please be a part of this exciting and important labor of love. They have an ambitious goal of $10,000, but they’re confident thy can get there with your help. If they don’t reach our goal, they get nothing, so please pitch in and give what you can. In return for your generosity, they have a number of awesome rewards including complimentary tickets to the show, your own piece of the set, a remix of the sounds of Occupy Boston, an original song by Ruby Rose Fox featured in the show, the chance to be a part of your own documentary project, and a command performance of the play. Thank you so much, and he hopes to see you at the show!”

Aug 13

The Pillowman Offers Dark, Bitter Comedy and Meditation on Art

Flat Earth Theatre Presents The Pillowman by Martin McDonagh

Photo Credit: Flat Earth Theatre

The Factory Theatre, 791 Tremont Street, Boston, MA

August 10, 11 2012 @ 8PM
Sunday, August 12, 2012 @ 2PM
Thursday, August 16, 2012 @ 8PM – Pay-What-You-Can
Friday, August 17, 18 2012 @ 8PM
Flat Earth Theatre Company               The Pillowman Facebook Page

Review by Gillian Daniels

Under a totalitarian government, writer Katurian (Cameron Beaty Gosselin) and his brother, Michal (Chris Chiampa) are unfortunate enough to be arrested by the corrupt police force of their unnamed country. Exactly why they have been taken into the custody of Detective Tuoplski (Juliet Bowler) and the violent Officer Ariel (James Bocock) is teased out minute by painful minute. In this bitter tragicomedy, playwright Martin McDonagh asks tough questions about the responsibility of art and crime. Continue reading

Aug 11

An Ode to Mama

The Third Story by Charles Busch, directed by Adam Zahler and featuring Rick Park as “Queenie.”

Photo Credit: Evgenia Eliseeva

Titanic Theatre Company, August 9-18, 2012, The Arsenal Center for the Arts Black Box                 The Titanic Theatre Company Homepage

The Titanic Theatre Company Facebook Page

Reviewed by Kitty M Drexel

(Watertown, MA) The Third Story is Charles Busch’s devotional to Mothers and their Mama’s Boys everywhere. Screenwriter Peg lures her son Drew back into the business via a narrative of Gangster Noir, B-movie Sci-Fi, Russian fairytale and the kind of motherly affection psychologists use to warm their couches. Peg’s excuse is McCarthyism but her vehicle is a journey through the psyche of a co-dependent man emotionally unprepared to leave the nest. Continue reading

Aug 10

Acoustica Electronica at OBERON: August 3, 10, 17, 24

Photo Credit: Acoustica Electronica at Club Oberon

After their sold-out performances in February, they are back by popular demand bringing a new level of spectacle and excitement to Boston’s nightlife. They have added new members to our fold and created new improvements that will be sure to blow your mind.

They could not be more excited about our run of shows at 10:30pm on Fridays Aug. 3, 10, 17 and 24! They can’t wait to see you there for their craziest blend of classical music, electronic dance music, dance, immersive theatre, aerial silks and DJ’s :The WIG, David Day, Mike Swells, Randy Deshaies, Will Monotone, Joe Bermudez and John Barera.

Photo Credit: Acoustica Electronica

For more information: http://touchperformanceart.com/

Aug 10

Romeo & Juliet Starts Performances Today

Romeo & Juliet by William Shakespeare, Happy Medium Theatre Company, Plaza Theatre at the Calderwood Pavillion, 8/10/12-8/25/12, http://www.happymediumtheatre.com/?cat=41.

A talented cast and crew pour their heart and souls into the drama of adolescence as only they can.  Get your tickets now!

Aug 06

Be a Good Little Widow is a Good Little Show

Image Credit: AIM Stage

Image Credit: AIM Stage

Be A Good Little Widow

August 2- 12

Directed by Courtney O’Connor, AIM Stage, http://www.aimstage.com/index.html

Davis Square Theatre, 255 Elm Street, Somerville, MA

Review by Gillian Daniels

(Somerville, MA) In its inaugural productions, AIM Stage performs a successful balancing act between humor and tragedy. Bekah Brunstetter’s skillfully wrought Be a Good Little Widow is about the awkward timing of grief, the impact it has on relationships, and the bittersweet experience of watching someone disappear completely from your life. I was enormously touched and entertained by it. Continue reading

Aug 01

Earnestness, Perfected: Joseph and the Amazing Technicolor Dreamcoat

Photo Credit: F.U.D.G.E. Theatre Company

Joseph and the Amazing Technicolor Dreamcoat, music by Andrew Lloyd Webber, book and lyrics by Tim Rice,

F.U.D.G.E Theatre Company,
Black Box Theatre at the Arsenal Center for the Arts
7/27/12 – 8/4/12,

http://www.facebook.com/pages/The-FUDGE-Theatre-Company-Inc/77922709870

Review by Craig Idlebrook

(Watertown, MA) I grew up believing Andrew Lloyd Webber and Tim Rice represented the theatrical establishment to overthrow. They wrote the stuff that mediocre crooners sang on cheesy records sold to bored housewives. They cursedly created the material for the medley that my 7th grade choir was forced to sing, filled with needless trills and fills. Continue reading

Jul 31

A Few Moments of Grace: Steel Magnolias

Steel Magnolias by Robert Harling, directed by Nancy Curran Willis
Nextdoor Center for the Arts, July 13-28 2012, http://www.nextdoortheater.org/STEEL.html

photo credit: Nextdoor Center for the Arts

Reviewed by Kate Lonberg-Lew

(Winchester, MA) When I watch an Olympic gymnast fly on the balance beam or the uneven bars, I
know I am watching genius, not because I know the difference between a punch- front summersault and a double pike, but because they make it look easy, effortless. The same can be said of playwright Robert Harling, the author of Steel Magnolias. Continue reading

Jul 23

Rosencrantz and Guildenstern Are Dead: Black Comedy in the Park

photo credit: Apollinaire Theatre Company

Rosencrantz and Guildenstern are Dead
by Tom Stoppard

Apollinaire in the Park 2012

Performances run July 11-28 at 7:30,
in English on Wed. Thurs. & Sat. and Spanish on Fri. & Sun.
Mary O’Malley Parkhttp://www.apollinairetheatre.com/productions/productions.html.

Reviewed by Gillian Daniels

(Chelsea, MA) In a twist on Shakespeare in the Park, the Apollinaire Theatre Company has chosen to perform a free production of Tom Stoppard’s Rosencrantz and Guildenstern Are Dead during the most gorgeous time of year. Each act is in a different location through out Mary O’Malley Park with the audience following the actors during intermission. The sunset, view of the river, docks, mural, and brilliant staging make a surprisingly fitting backdrop for Stoppard’s clever script. Continue reading