Sep 24

Redemption in the Motherf**cker with the Hat

Photo Credit: SpeakEasy Stage Company

by Stephen Adly Guirgis
Directed by David R. Gammons

presented by Speakeasy Stage Company
539 Tremont Street, Boston, Massachusetts 02116
SpeakEasy Stage Company Facebook Page
September 14 – October 13, 2012

Review by Gillian Daniels

(Boston) Speakeasy Stage’s The Motherf**ker with the Hat is a dark comedy that never quite tips over into bleak. Its main characters are addicts, recovering and otherwise, but they either have a sense of humor about it or have learned to accept their shortcomings. Fresh out of jail, Jackie (Jaime Carrillo) tries to break the tight circuit of repeating behaviors that has him locked into a pattern of loving, drinking, and messing up. Continue reading

Sep 24

Half-Baked Silliness: LUMBERJACKS IN LOVE

Photo Credit: Carla Donaghey.

BOOK AND LYRICS BY: Fred Alley
MUSIC BY: James Kaplan
STORY BY: Fred Alley & James Kaplan

presented by Stoneham Theatre
Stoneham, MA
September 13th – 30th, 2012
Stoneham Theatre Facebook Page

Review by Craig Idlebrook

(Stoneham) There is nowhere to hide with a new musical. Unlike a fresh drama, where an audience can be tricked into going along if there’s enough shouting, as soon as an actor opens her mouth to start singing, the audience can tell whether the song enhances or detracts from the plot, usually with disastrous results. Continue reading

Sep 22

Theater meets Chaos Theory: Jay Scheib’s “World of Wires”

Photo Credit: Jay Scheib’s “World of Wires”, Institute of Contemporary Art/Boston

presented by The Institute of Contemporary Art/ Boston

The Institute of Art/Boston Website
Jay Scheib’s World of Wires Facebook Page
Friday + Saturday, September 21 + 22, 2012 , 7:30 pm
100 Northern Avenue
Boston, MA 02210 – directions

Review by Kitty Drexel

(Boston) Jay Scheib’s World of Wires is a live-cinema presentation that utilizes the mediums of television, live theater, the internet, music and all manners of spectating. It is an exhibition that posits that human experience on the internet is both defined by and created through actual and simulated human interaction. The result is a chaotic melodrama birthed by an obsessive zeitgeist. Continue reading

Sep 21

A Tale of Class and Morality in Southie

Photo Credit: T. Charles Erickson

Good People
by David Lindsay-Abaire
Directed by Kate Whoriskey

presented by Huntington Theatre Company Website
Huntington Theatre Company Facebook Page
Avenue of the Arts / BU Theatre, 264 Huntington Avenue, Boston
September 14 – October 14, 2012

Review by Kitty Drexel

(Boston) David Lindsay-Abaire’s Good People is a modern comedy of errors that takes place in South Boston. This production toes the line between comedy and drama. It features a star-studded cast which embodies the beloved Boston stereotypes made famous by movies like The Town and Mystic River. Amidst a healthy peppering of Boston in-jokes, it explores class divisions while characters attempt to define what it is to be a “good person.”
Continue reading

Sep 20

Improv Boston Presents: GOREFEST X: 28 Days Latte

BUY TICKETS ONLINE >>> 

GoreFest X: 28 Days Latte — ImprovBoston’s 10th Annual Halloween Horrorshow — is a brand new musical comedy from writer/lyricist Don Schuerman and composer Steve Gilbane. The Zombie Apocalypse is upon us, and a bunch of hipsters and two senior citizens are trapped inside a coffee place as they fight back the rampaging hordes. The show is dripping with tasteless dialog, juvenile humor, memorable music. Like every GoreFest, this year’s show features copious amounts of fake blood, gore and other bodily fluids, not all of which ends up on the actors. Continue reading

Sep 20

A ROAD FORGOTTEN: HOMESTEAD CROSSING

Homestead Crossing 
Presented Merrimack Repertory Theatre
by William Donnelly    
Directed by Kyle Fabel

Photo Credit: Meghan Moore

Merrimack Repertory Theatre Website                 Merrimack Repertory Theatre Facebook Page
50 E. Merrimack St.
Lowell, MA
Sep 6 – Sep 30, 2012

Review by Kate Lonberg-Lew

(Lowell, MA) It’s so easy to get lost in the minutia of daily life – the food shopping and bill-paying – that you forget that you make your own destiny. That, in fact, your destiny is created in those very everyday decisions. And it takes an unexpected event, be it a stranger knocking at your window or an unexpected call from an old friend, to remind us. Homestead Crossing, currently playing at the Merrimack Repertory Theatre, is the story of just such a couple.
Continue reading

Sep 18

Project: Project’s WHAT ARE YOU DOING HERE?

This is our FIRST fundraiser for our FIRST production. A $500 pittance to assist with space rental and miscellaneous props that can’t be found in our closets.

Our current show, What are You Doing Here?, has been in the works since we first came together in November 2011. After one year of devising, improvising, writing and rewriting it is coming to fruition. Now we need your help to see it through! It’s part improvised, part scripted, and all site-specific at the Democracy Center in Cambridge, MA. Continue reading

Sep 17

“No Room for Wishing” Makes Room for All

No Room for Wishing
Performed and written by Danny Bryck.

Photo credit: “No Room for Wishing”

Directed by Megan Sandberg-Zakian.

Co-produced by Company One and Central Square Theater, supported in part by a Boston Playwrights’ Theatre Black Box Fellowship.

Playing at the Boston Center for Arts, 9/13 – 9/22
Playing at Central Square Theater, 9/30 – 10/9

No Room for Wishing Facebook Page
No Room for Wishing Website

Review by Kitty Drexel

“But I hear the boys the boys and girls are coming up up up from the underground… You can find ‘em there, they’re all fired up in Dewey Square… you can call them what you want, you can call them what you need, you can call them what you want but there’s no room for wishing in revolution.”  – Ruby Rose Fox, “Dewey Square”

(Boston) No Room for Wishing is a compilation of interviews and live recordings from the Occupy Boston Movement. The production was written and performed by local actor, Danny Bryck. It is directed by Megan Sandberg-Zakian.

Bryck’s tour de force performance is a must see for Occupy Movement supporters and sympathizers. It offers a personal perspective of Occupy Boston that was not captured by local media during 2011. It is also a must see for those who opposed the movement.  This bare bones production lionizes the individual reasons for protesting while disassembling the stereotypes associated with the majority of activists. Bryck’s characterizations personalize the movement and the many people that the media had neglected; the moderate and the revolutionized. Continue reading

Sep 16

Brilliance and Bravery in New Rep’s “The Kite Runner”

The Kite Runner adapted for the stage by Matthew Spangler.
Novel by the same name by author Khaled Hosseini.
Directed by Elaine Vaan Hogue.

Photo by Andrew Brilliant/ Brilliant Pictures.

Photo by Andrew Brilliant/ Brilliant Pictures.

Performances, September 9-30, 2012
New Repertory Theater
Charles Mosesian Theater
Arsenal Center for the Arts
321 Arsenal Street, Watertown, MA 02472

New Repertory Theater Facebook Page

Review by Kitty Drexel

(Watertown) New Rep’s The Kite Runner is adapted for the stage by Matthew Spangler from the novel by the same name by author Khaled Hosseini. Director, Elaine Vaan Hogue, interprets her subject with fresh perspective in our post-9/11 world with compassion and ingenuity. Continue reading

Sep 14

Bent, Not Broken

BENT
Presented by Theatre@First
A Play by Martin Sherman
Directed by Nick Bennett-Zendzian

Theatre@First Facebook Page

Performances: Friday, September 14 – Saturday, September 22
Unity Somerville, 6 William Street at College Ave.
TICKETS – $15 for adults, $12 for students/seniors. Group discounts available.

Review by Gillian Daniels

(Somerville) When the stakes grow to dizzying heights, Theatre@First’s production of Bent has the power to draw its audience as tightly as a bowstring. The air crackles expectantly as viewers wait for the other shoe to drop.  As its characters are fenced in with barbed wire and SS guards, they are left with nothing but the hope that things can’t get any worse.  It certainly will, especially when that backdrop is the Holocaust and the principal characters are homosexual. Continue reading