Mar 24

Eavesdropping on a Moment: TALLEY’S FOLLY

Posted on by
Photo by Meghan Moore

Photo by Meghan Moore

Presented by Merrimack Repertory Theatre
By Lanford Wilson
Directed by Kyle Fabel

March 20th – April 13th, 2014
Lowell, MA
MRT on Facebook

Review by Craig Idlebrook

(Lowell) Why in the 21st century do we feel compelled to make all our special private moments so public, especially when it comes to marriage proposals? These days, a proposal is not Facebook official unless you enlist your family, Joe Biden, and the Michigan State marching band to take part in a carefully choreographed proposal that you can upload to YouTube. Continue reading →

Mar 24

Quit Playing Around: “Magic: The Gathering: the Improv Show”

Posted on by
Magic: The Gathering: The (Improv) Show

Header borrowed from ImprovBoston website.

Presented by Improv Boston

Fridays February 28th – April 10th
ImprovBoston
Cambridge, MA
Magic: The Gathering: the Show on Facebook

Review by Danielle Rosvally

Edited to reflect an extension of the review that was not originally posted (but should have been). We blame Microsoft 2010. That jerk.

(Cambridge) Alright, I know you’ve got them; you know you’ve got them; it’s time to come clean.  Let’s face it: you’re not the only one who spent part of their awkward teenaged years hurling spells at your friends in knock-down drag-out duels on table-tops in cafeterias during free periods.  If Magic: The Gathering offers any hint of nostalgia for you (or even the slightest amount of shame; after all, some things are healthy to feel ashamed about), you should consider rolling by ImprovBoston some Friday night to catch Magic: The Gathering: The improv Show. Continue reading →

Mar 20

No Condoms Were Harmed in the Making of This Musical: HELLO AGAIN

Posted on by

Presented by Bridge Repertory Theatre of Boston
Book, lyrics and music by Michael John LaChiusa
Directed by Michael Bello
Musical direction by Mindy Cimini
Choreography by Stephen Urspung

March 12 – 29, 2014
Boston Center for the Arts
Hall A
Boston, MA
Bridge Rep on Facebook

TRIGGER WARNING: This musical has a lot of sex in it. So much of the sex. Fortunately, it’s all consensual.

(Boston) Not all sex is procreative. Sex should be a really good time for everyone involved*. A lot of it isn’t**. If you fundamentally disagree then stop reading now…

Hello Again presented by Bridge Repertory Theatre is an immersive musical that places the audience in the center of the action. And by “action,” I mean riding the skin-train to orgasm town. That being said, the musical is not actually about sex. It is about what leads to sex, why we do it and with whom we choose to do it. It is art focused on a very specific, necessary act. Continue reading →

Mar 18

Snuggle Inspiring: SOUL MATES

Posted on by
The Cast of Soul Mates (Laura Menzie, Joe Kidawksi, Angela Keefe and Brett Milanowksi.)

The Cast of Soul Mates (Laura Menzie, Joe Kidawksi, Angela Keefe and Brett Milanowksi.) Photo borrowed from BAT Facebook page.

Presented by Boston Actors Theatre
by Kirsten Knisely
Directed by Caroline L. Price

March 7 – 22, 2014
Boston Center for the Arts
Plaza Black Box
Boston, MA 02116
BAT on Facebook

Trigger warnings for drug use and super fun, adult naked times.

Review by Kitty Drexel

(Boston) In The Symposium, Plato famously describes three human genders (man, woman and androgynous) whose strength equaled that of the gods. They were made of two faces, 4 arms, 4 legs and 2 sets of genitalia. Zeus, rather than kill the humans for pride, uses his lightning to tear them asunder. Their powers halved, humans were cursed to spend the rest of their existence looking for their second half, their “soul mate,” so they could be complete again. Most people assume that their “other half” is their one romantic partner to have and to hold for all time. Life isn’t so simple. People are complicated animals. Continue reading →

Mar 18

Digging Our Graves, Hoping Someone Notices: THE WHALE

Posted on by

Georgia Lyman and John Kuntz in the SpeakEasy Stage Company production of “The Whale.” Photo by Craig Bailey/Perspective Photo.

Presented by SpeakEasy Stage Company
By Samuel D. Hunter
Directed by David R. Gammons

March 7th – April 5th, 2014
The Boston Center for the Arts
Boston, MA
SpeakEasy on Facebook

Review by Craig Idlebrook

(Boston) No matter what you’ve heard, The Whale is not a play about obesity.  That may be hard to remember when you see a man drowning in his own corpulent flesh, the junk food wrappers strewn around his apartment serving as a testament to his mortal sin. Continue reading →

Mar 17

Awareness is Key: RIGOLETTO

Posted on by

Michael Mayes as Rigoletto and Nadine Sierra as Gilda; Photo by Eric Antoniou for Boston Lyric Opera

Michael Mayes as Rigoletto and Nadine Sierra as Gilda; Photo by Eric Antoniou for Boston Lyric Opera

Presented by Boston Lyric Opera Music by Giuseppe Verdi
Libretto by Francesco Maria Piave
Directed by Tomer Zvulun
Conducted by Christopher Franklin

March 14 – 23, 2014
Shubert Theatre Boston, MA
BLO on Facebook

Sung in Italian with projected supertitles in English. Performed in 2 “acts” with 1 intermission.

Review by Kitty Drexel

(Boston) The vocals of BLO’s Rigoletto are simply stunning. In particular, Michael Mayes as the title character and Nadine Sierra (Gilda) were a treasure to hear and watch. Audrey Babcock (Maddalena) smolders! This vocals of the male chorus were powerful but difficult to watch. It appears that they can only emote when given specific direction to do so. The sumptuous costumes by Victoria Tzykun mostly made up for this. Conductor Christopher Franklin leads his orchestra with admirable humility and confidence. His reverence for Verdi is evident from his first step into the pit. Continue reading →

Mar 17

“What Once We Felt” Feels Undercooked

Posted on by

Photo credit: Jake Scaltreto

Presented by Flat Earth Theatre
By Ann Marie Healy
Directed by Lindsay Eagle

March 14 – 22, 2014
The Davis Square Theatre
255 Elm Street
Somerville, MA
Flat Earth on Facebook

Review by Gillian Daniels

(Somerville) What Once We Felt is science fiction that distills contemporary anxieties into a thinly veiled future.  The bedrock of Ann Marie Healy’s dystopia, which premieres in Boston for the first time, is literary digitization, a bleak economy with a suppressed lower class, deplorable health care conditions, iPhone obsessions, and some unlikely but remarkable advances in artificial insemination. The play will make an excellent artifact of our age group.  Though the mask this society wears to disguise its relation to our own is transparent, so is the world-building and the logic behind a woman-only, caste-system culture.  The mechanics are questionable, but the anti-utopian horror that Flat Earth Theatre creates is sublimely creepy. Continue reading →

Mar 14

Touch a Dead Bird, Wash Your Hands: THE SEAGULL

Posted on by
Photo T. Charles Erickson

Photo T. Charles Erickson

Presented by Huntington Theatre Co.
By Anton Chekhov
Translated by Paul Schmidt
Directed by Maria Aitken

March 7 – April 6, 2014
Boston University Theatre
264 Huntington Avenue
Boston, MA
Hunting Theatre Co on Facebook

Review by Kitty Drexel

(Boston) Chekhov intended The Seagull play to be a comedy. He wrote a famous letter to his friend Suvorin on October 21, 1895 describing his intent and further elaborated that Seagull would defy the conventions of theatre. No kidding. It is a comedy for the same reasons Springtime for Hitler is a comedy. The one exception being that no Roger DeBris character arrives to save us from our sensibilities. To sum up, without Roger, The Seagull is a drama about people being terrible to each other while lamenting their own misery. In Russia. While discussing the theatrical arts. It isn’t very funny (unless you’re a sadist). What it is, is deeply depressing. Continue reading →

Mar 10

For the Love of Bisexual Seahorses: BULLY DANCE

Posted on by

Photo by Brett Marks

Presented by Argos Productions
By David Valdes Greenwood
Directed By Sarah Gazdowicz

March 7-22, 2014
Boston Playwrights’ Theatre
949 Commonwealth Avenue
Boston, MA 02215
Argos on Facebook

 

Trigger Warning: Gunshots are used in this production. Sexual abuse of minors is discussed albeit not in detail.

 

(Boston) The events of Bully Dance are based on the events of a multiple homicide that culminated in a suicide on public transportation in 2006. This is not a light, fluffy or otherwise hope inspiring production. It must be emphasised that playwright David Valdes Greenwood is not attempting to recreate the tragic events. Rather, he has constructed imaginary scenarios that explore the emotional truths of the victims and the survivors. Like an allegorical morality play, this production examines the effects of horrific violence on the heart and mind of Man. Continue reading →