Oct 15

Eat Your Heart Out: THE REVENANTS

Photo credit: Karen Ladany; Audrey Lynn Sylvia as Karen and William Schuller as Joe

presented by Happy Medium Theatre Company
@The Factory Theatre
Boston, MA
October 12th – 20th, 2012

Happy Medium Theatre Facebook Page

Review by Craig Idlebrook

(Boston) The premise of the zombie apocalypse seems well-suited for allegory. George Romero, the genre’s cinematic Godfather, has used the reanimated to explore every theme from racial tension to internet addiction. Meanwhile, the AMC television series the Walking Dead has found success by throwing a band of survivors together and having them struggle over what separates humans from the masses
of undead. In a way, zombies have become the ultimate MacGuffin, a plot device that stirs our heroes to action and soul-searching. Continue reading

Oct 13

Murder Has Never Been so Adorable: “Senseless! A Brick Foley Adventure”

Photo Credit: Aurora Broadcasting Network

written and directed by Elizabeth Hara
October 12-13, 2012 @8pm
Puppet Showpace Theatre
32 Station St
Brookline, MA

Puppet Showplace Theatre Facebook Page

Review by Kitty Drexel

(Brookline) Someone has been murdering the blind/deaf students of the Helen Keller School of Music and Brick Foley, blind detective, is on the job to find out who. Was it the gentle and sweet teacher, Jane Allgood? Was it Chancellor Daniels or his nemesis Dr. Children? Could it even have been sexy vixen Bea Baxter? With his sidekick, Office Murphy, Detective Foley navigates the in’s and out’s of this puppet show/radio play and finds out who done it! (Brought to you by Price’s Powdered Ham.)

This short noir radio play cum puppetry show SHOULD NOT be missed! The Aurora Broadcasting Network has created an adult comedy that will melt the hearts of even the most cynical of theater goers. The troupe exudes a light jovial atmosphere that is founded on a sincere love of their craft. The 5 member team moves as one like a seemingly effortless machine. Although they do not use traditional puppets (a la Mr. Roger’s Neighborhood perhaps) their creative use of props and physical comedy leaves nothing to be desired. In fact, it’s a damn shame that the show isn’t longer than the allocated hour.

This show has it all: it’s a little naughty and is not appropriate for young children, the troupe employs character voices and perfected noir archetypes, minty fresh musical stylings begin and end the show, there’s a speedy and engaging plot and, best of all, the audience is encouraged to participate!

Please be advised that there is a 2 row splash zone. If flying meat products alarm you, it may be best to stand in the back.

There is an after-show with the ravishing Ruby Rose Fox, drinks and dancing.

—–

Elizabeth Hara has worked as a puppet builder for the Jim Henson Company, Sesame Street, and Avenue Q. She has also built costumes for The Lion King, Shrek the Musical, and most recently, Spider-man: Turn Off the Dark. She is a Vassar graduate, and has performed at the Edinburgh Fringe Festival and the Puppeteers of America National Festival.

‘Senseless’ features the performing talents of Brendan Yi-Fu Tay (The Puppet Kitchen,) Sarah Lafferty (Castleton Opera Festival,) Katrina Denney (Fundamental Theatre Group), Emmy Award-winner Michael Schupbach (Sesame Street, Johnny and the Sprites) Eric Wright (The Puppet Kitchen, The Metropolitan Opera, The Public Theatre) and David Brown (poorbutsexydc.combit.ly/ufofactory)

Oct 09

A Stylish, Creepy “Macbeth”

Photo Credit Stratton McCrady Photography

by William Shakepeare
directed by Paula Plum

Actors’ Shakespeare Project
Chevalier Theatre
Medford, MA
Oct 03, 2012 – Nov 04, 2012
Actor’s Shakespeare Project Facebook Page

Review by Gillian Daniels

(Medford) The Actors’ Shakespeare Project’s Macbeth wraps itself in a pleasing 1920’s aesthetic. Opening in the midst of a funeral procession, Latin is chanted for a tiny coffin as the witches follow in nun habits. Lady Macbeth (Mara Sidmore) turns to hush them as the funeral ends and she sits down to listen to the radio. The effect of the historical displacement is gorgeous and creepily off-putting. Continue reading

Oct 09

Sass, Refined: “9 TO 5”

Photo by Paul Lyden, The lovely ladies of “9 to 5”

Music and lyrics by Dolly Parton
Book by Patricia Resnick
Directored/Choreographed by Richard Stafford
Musical Directored by Mark Hartman

North Shore Music Theatre
62 Dunham Road
Beverly, MA 01915
September 25 – October 7th
North Shore Music Theatre Facebook Page

Review by Craig Idlebrook

(Beverly) It seems like a dicey proposition: take a 1979 comedy that has long since been forgotten and make it into a 21st century musical. (I don’t see anyone else lining up to do a musical of other comedies that I watched over and over again on HBO as a child, like Mr. Mom or Police Academy. If you’re a producer, call me.) Yet 9 to 5 has Dolly Parton’s mark all over it, from the opening monologue to the final musical note, and Dolly has a way of turning the ridiculous into credible fun. This endeavor of hers is more Dollyworld than Rhinestone. Continue reading

Oct 02

The Limits of Pretend: A BROTH OF A BOY

Directed by Richard Smithies
Cead Mile Failte Productions
Arsenal Center for the Arts
in Black Box Theater
Watertown, MA
September 25th – October 7th, 2012
A Broth of a Boy Facebook Page

Review by Craig Idlebrook

(Watertown) A one-person production can be an all-or-nothing proposition for theater going audiences. At its best, it can break the limits of human expression; at its worst, it can feel like watching someone tell a terrible joke at a party. Danny Venezia’s production of Broth of a Boy is best avoided unless you are a true lover of Irish history, for it never allows an audience to suspend disbelief that the show is anything but a lone man trying hard for us to believe in what he is seeing. Continue reading

Oct 01

“Ragtime”: Bravo to the Cast and Crew!

The Company in “Till We Reach That Day”
Photos by Matt McKee

Presented by Fiddlehead Theatre Company in conjunction with The American Civil Liberties Union

Book by Terrence McNally
Music by Stephen Flaherty
Lyrics by Lynn Ahrens
based on the novel Ragtime by E.L. Doctorow

Directed by Meg Fofonoff
Musical Direction by Matthew Stern
Choreography by Anne McAlexander

September 28 – October 7, 2012
The Strand Theatre
543 Columbia Rd, Dorchester, MA

Fiddlehead Theatre Company Facebook Page
The American Civil Liberties Union Facebook Page

Review by Kitty Drexel

(Dorchester) Ragtime is an enormous success for The Strand Theatre and Fiddlehead Theatre Company! Bravo to the entire cast and the artistic staff! Your interpretation of the Flaherty/Ahrens/McNally script and music is spot on. You should be very proud of your performances. Continue reading

Sep 24

Redemption in the Motherf**cker with the Hat

Photo Credit: SpeakEasy Stage Company

by Stephen Adly Guirgis
Directed by David R. Gammons

presented by Speakeasy Stage Company
539 Tremont Street, Boston, Massachusetts 02116
SpeakEasy Stage Company Facebook Page
September 14 – October 13, 2012

Review by Gillian Daniels

(Boston) Speakeasy Stage’s The Motherf**ker with the Hat is a dark comedy that never quite tips over into bleak. Its main characters are addicts, recovering and otherwise, but they either have a sense of humor about it or have learned to accept their shortcomings. Fresh out of jail, Jackie (Jaime Carrillo) tries to break the tight circuit of repeating behaviors that has him locked into a pattern of loving, drinking, and messing up. Continue reading

Sep 21

A Tale of Class and Morality in Southie

Photo Credit: T. Charles Erickson

Good People
by David Lindsay-Abaire
Directed by Kate Whoriskey

presented by Huntington Theatre Company Website
Huntington Theatre Company Facebook Page
Avenue of the Arts / BU Theatre, 264 Huntington Avenue, Boston
September 14 – October 14, 2012

Review by Kitty Drexel

(Boston) David Lindsay-Abaire’s Good People is a modern comedy of errors that takes place in South Boston. This production toes the line between comedy and drama. It features a star-studded cast which embodies the beloved Boston stereotypes made famous by movies like The Town and Mystic River. Amidst a healthy peppering of Boston in-jokes, it explores class divisions while characters attempt to define what it is to be a “good person.”
Continue reading

Aug 20

Globe on Screen: An Opportunity to Experience London’s Globe Theater via Film

Photo Credit: Ed O’Keeffe via Google

Globe on Screen brings the legendary London Shakespeare theater to U.S. cinemas, featuring three classic plays, including Much Ado About Nothing, All’s Well That Ends Well and Doctor Faustus.  The plays, which are captured in front of a live audience and hit U.S. screens beginning October 11, give U.S. moviegoers the opportunity to experience what it’s like to be there, in the center of London’s legendary Globe Theatre.  The well-known casts include Eve Best (The King’s Speech, Nurse Jackie), Charles Edwards (Downton Abbey) and Arthur Darville (Pelican Blood, Dr. Who).  The full trailer can be viewed here:  http://youtu.be/mttLEbQ1dWs

In cinemas across the UK, USA, Australia and New Zealand from September 2012.

Shakespeare’s Globe On Screen Trailer

Aug 13

The Pillowman Offers Dark, Bitter Comedy and Meditation on Art

Flat Earth Theatre Presents The Pillowman by Martin McDonagh

Photo Credit: Flat Earth Theatre

The Factory Theatre, 791 Tremont Street, Boston, MA

August 10, 11 2012 @ 8PM
Sunday, August 12, 2012 @ 2PM
Thursday, August 16, 2012 @ 8PM – Pay-What-You-Can
Friday, August 17, 18 2012 @ 8PM
Flat Earth Theatre Company               The Pillowman Facebook Page

Review by Gillian Daniels

Under a totalitarian government, writer Katurian (Cameron Beaty Gosselin) and his brother, Michal (Chris Chiampa) are unfortunate enough to be arrested by the corrupt police force of their unnamed country. Exactly why they have been taken into the custody of Detective Tuoplski (Juliet Bowler) and the violent Officer Ariel (James Bocock) is teased out minute by painful minute. In this bitter tragicomedy, playwright Martin McDonagh asks tough questions about the responsibility of art and crime. Continue reading