Nov 12

Book Review: “Undesirable Elements: Real People, Real Lives, Real Theater”

“Undesirable Elements: Real People, Real Lives, Real Theater” by Ping Chong

by Ping Chong
Theatre Communications Group: New York, 2012
$17.95

Review by Kitty Drexel

A compilation of four selected scripts in the Undesirable Elements series by writer, director and producer Ping Chong as well as collaborator interviews and methodology. These poly-language scripts demonstrate the potential to combine the arts of storytelling, theater and poetry into a community building/affirming production. These performances are capable of reaching out to a broader theater audience (an audience perhaps jaded by conventional theater) to experience dramatic communication in ways that some artists only dream of. It is art that uses personal experience to reveal truths of the larger world community rather than using art to glorify aspects of “Other” within a community. Undesirable Elements offers a shocking exploration of the lives of social outsiders and presents them as whole, human people sometimes contrary to the perception of much of society. These works refreshingly present the players’ perspective without unintended bias. Because bias exists whether it is intended or not. Continue reading

Nov 09

Bare Bones Staged Reading: Julie Johnson

Written by Wendy Hammond
Directed by Becca Kidwell

ONE NIGHT ONLY! Thursday, November 15th at 8pm

Julie Johnson will be presented at Unity Somerville
6 William Street
Somerville, MA 02144
presented by Theatre@First
Theatre@First Facebook Page

Suggested Donation $5 – General Admission – No reservations required

Julie is on the verge of a breakdown. She loves her children but feels the need for a change. Her husband is abusive and she wants to be more than just a wife and mother. Her friend Claire’s life isn’t much better and they struggle through their difficulties. Julie grows as she takes computer classes, which uproots not only her own life but the lives of the people around her.

Please note: This performance contains adult language and volatile domestic scenes.

The Director: Becca Kidwell has directed ten plays so far with her favorites being: The Lion, The Witch, and The Wardrobe and Marla’s Devotion. She has worked in almost every aspect of theatre in the past eighteen years. Most recently she served as an assistant stage manager for Happy Medium Theatre’s production of Romeo and Juliet. She was nominated for an EMACT award for best props design for Walpole Footlighters. She thanks her husband and in-laws for their constant and unwavering love and support.

Bare Bones: Staged Readings at Theatre@First offers directors, casts and audiences the chance to explore a wide variety of plays in a spare, intense setting.

 

Nov 04

Technicolor Gangsters: GUYS AND DOLLS

Photo by Paul Lyden

presented by North Shore Music Theatre

Book by Jo Swerling and Abe Burrows
Music and Lyrics by Frank Loesser
Based on “The Idyll of Sarah Brown” and characters by Damon Runyon
Directed by Mark Martino
Choreographed by Michael Lichtefeld

Presented through special arrangement with Music Theatre International www.mtishows.com

North Shore Music Theatre
Beverly, Ma
October 30th – November 11th, 2012

North Shore Music Theatre Facebook Page
October 30th – November 11th, 2012

(Beverly) It’s easy to know from the opening sequence whether a production of the musical Guys and Dolls is going to hit on all cylinders or fall flat. The intro and music is supposed to paint a picture of the vibrant and surprisingly ordered chaos of New York City in the roaring 20’s, or at least the New York City that ferments in the imagination of the show’s authors, Jo Swerling and Abe Burrows. It’s a metropolis awash with crime, as an apple is filched from a vendor and a pocket gets picked within the first two minutes of stage time, but it’s genial and high-energy crime, so much so that even cops simply shake their heads at the crooks’ peccadillos. Continue reading

Oct 23

Accidentally Sexy: “Bloody, Bloody, Andrew Jackson”

Photo by Craig Bailey / Perspective Photo. The show is accidentally sexy; the cast is sexy on purpose.

Presented by SpeakEasy Stage Company

Written by Alex Timbers
Music & Lyrics by Michael Friedman
Directed by Paul Melone
Music directed by Nick Connell

SpeakEasy Stage Company
539 Tremont Street
Boston, MA 02116
October 19 – November 17, 2012

SpeakEasy Facebook Page

Review by Kitty Drexel

(Boston) President Andrew Jackson (Gus Curry) invented the Democratic Party but was infamous for hating the English, the Spanish, American Aristocracy and Native American Indians. The book by Alex Timbers presents President Jackson as an angsty young man bristling with frenetic energy. He loves Populism, his wife Rachel and representing “The Voice of the People.” His hobbies include building the Trail of Tears, guns and erratic behavior. Even though there’s 100 years difference between his era and ours, not much has changed in politics: some political leaders just love a tantrum. Continue reading

Oct 22

Drop Dead Funny: EVIL DEAD: THE MUSICAL

Photo credit: Josh Nunes/ www.natlightphotography.com; the cast, feeling groovy.

Book and Lyrics by George Reinblatt
Music by Frank Cipolla, Christopher Bond, Melissa Morris, George Reinblatt
Music Supervision by Frank Cipolla
Additional Lyrics by Christopher Bond Additional Music by Rob Daleman

Director – Corey Jackson
Music Director – Mario Cruz
Choreographer – Nicole Spirito

presented by Arts After Hours
LynnArts
25 Exchange Street
Lynn, MA
October 18th – October 28th, 2012

Arts After Hours Facebook Page

Review by Craig Idlebrook

(Lynn) You know you’re in for something different with the Art After Hours production of Evil Dead: the Musical when you are given the option of sitting in the splatter zone with a poncho. The Sound of Music, this ain’t, but if you’re in the mood for a well- timed comedy that is side-splitting in more ways than one, this weird and bloody romp is for you. Continue reading

Oct 21

Bengal Tiger at the Baghdad Zoo: Hungry for Human Foibles

 

Photo credit: Company One

by Rajiv Joseph
Directed by Shawn LaCount

presented by Company One
BCA Plaza Theatre
Boston, MA
October 19 – November 17, 2012
Company One Facebook Page
Adult content. Language.

Review by Gillian Daniels

(Boston) Rajiv Joseph’s play about the Iraq War is not so much a dark comedy as a sour one. Its humor is drawn from bitterness, the absurdity of invading a country in 2003 and dethroning its dictator without any real exit strategy. It’s bold not because it says anything not said before, but because the play picks fearlessly at a new, festering wound before it’s had time to heal. Continue reading

Oct 21

An Incomplete Sentence: RACE

Photo Credit: New Repertory Theatre; the cast

by David Mamet
Directed by Robert Walsh

presented by the New Repertory Theatre
Arsenal Center for the Arts
Watertown, MA
October 14th – November 4th, 2012

New Rep Facebook Page

Review by Craig Idlebrook

(Watertown) It’s become trickier to discuss racism in the post-2008 election era than it was before. We have elected a black president, many hope to say, and that is enough.

Leave it to troublemaking playwright David Mamet to clear his throat amid the quiet in 2009 with his biting and succinct dramatic comedy, Race, now being performed by the New Repertory Theatre in Watertown. His play refuses to rest on recent racial gains, instead showing the trouble beneath the surface, the kind
that otherwise is obscured unless a police officer arrests a Harvard professor or a neighborhood watchman shoots an unarmed teen. Mamet’s script sparks necessary dialogue about an uncomfortable subject, but the flawed storyline of the play, combined with uneven execution by New Rep’s cast, misses the opportunity to create deeper understanding of inherent social inequality. Continue reading

Oct 20

Jesus Christ Superstar: God and Everyone Else is Listening

Photos: Copyright The Boston Conservatory. Max Wagenblass, photographer.

presented by The Boston Conservatory

Music by Andrew Lloyd Weber.
Lyrics by Tim Rice.

Directed by Neil Donohoe
Music Direction by Bill Casey.
Conducted by Reuben M. Reynolds, III.
Choreographed by Michelle Chasse.

The Boston Conservatory Theater
Boston, MA

October 18 – 21, 2012

(Boston) It started out as a lovely evening. Boston Conservatory’s production of Jesus Christ Superstar is excellent – not only as a student production but as a piece of art comparable to professional area theater. The students in Friday’s performance were electric on the stage, filling every crevice in the theater with palpable, thrumming energy. Their acting was fine, their dance was great and their vocals blew the roof off. The modern dance choreographed by Michelle Chasse lends itself well to this updated production. The subtle yet evocative lighting design by Franklin Meissner Jr. was the cherry on the performance sundae. It is a good show. Continue reading

Oct 18

“Alice in Wonderland” but on More Meth: “The Lily’s Revenge”

Photo credit: www.GretjenHelene.com; Lily and the Mary’s shaking what their mother, Time, gave them.

Written and Conceived by Taylor Mac
Composed by Rachelle Garniez

presented by American Repertory Theatre
OBERON
2 Arrow Street
Cambridge, MA 02138
October 12, 2012 to October 28, 2012

A.R.T. Facebook Page

The Lily’s Revenge is the epic nursery rhyme turned homo-rific, drag-tastic fairy tale of Lily, an ordinary houseplant, who undertakes to be more than what others make him to be. His is a delicious allegory/metaphor/cautionary tale/simile/hyperbole/paradox that spans 4+ hours of dance, drama and breakage of the 4th wall that warns never to settle for less than what you want. Even if that means shedding the skin of who you think you are to become who you are truly meant to be. Continue reading

Oct 15

Eat Your Heart Out: THE REVENANTS

Photo credit: Karen Ladany; Audrey Lynn Sylvia as Karen and William Schuller as Joe

presented by Happy Medium Theatre Company
@The Factory Theatre
Boston, MA
October 12th – 20th, 2012

Happy Medium Theatre Facebook Page

Review by Craig Idlebrook

(Boston) The premise of the zombie apocalypse seems well-suited for allegory. George Romero, the genre’s cinematic Godfather, has used the reanimated to explore every theme from racial tension to internet addiction. Meanwhile, the AMC television series the Walking Dead has found success by throwing a band of survivors together and having them struggle over what separates humans from the masses
of undead. In a way, zombies have become the ultimate MacGuffin, a plot device that stirs our heroes to action and soul-searching. Continue reading