Jan 24

The Bad Plus premiere of “On Sacred Ground: Stravinsky’s Rite of Spring”

Photo: Cameron Wittig; not just handsome faces.

Photo: Cameron Wittig; The Bad Plus, not just handsome faces.

presented by World Music/CRASHarts

The Bad Plus
Performing the Boston premiere of On Sacred Ground: Stravinsky’s Rite of Spring
Friday, February 15, 7:00 PM and at 9:30 PM

Institute of Contemporary Art
100 Northern Ave
Boston, 02210
General admission $35.00
World Music/CRASHarts Facebook Page
The Bad Plus Facebook Page

Rule-breaking, genre-bending and thoroughly entertaining, the charismatic jazz trio returns with its daring take on Stravinsky’s Rite of Spring, accompanied by a mind-blowing video mix by lighting designer Cristina Guadalupe and film director Noah Hutton.

Jan 21

“Once” from Theater Communications Group

"Once" by Enda Walsh

“Once” by Enda Walsh

Once by Enda Walsh
Lyrics by Glen Hansard and Marketa Irglova

Theater Communications Group (TCG)
January 2012
$13.95
520 Eighth Ave, 24th Floor
New York, New York 10018
www.tcg.org

This volume includes the book and lyrics but not the score. It includes a brief foreword by writer Enda Walsh about the workshop process in a church basement in Cambridge, MA.

The story revolves around an Irish man, “Guy,” who has almost given up on life, love and music. He is given new perspective by a passionate and sweet Czech woman, “Girl,” a single mother and music enthusiast. Together these unrequited lovers set on a course for life affirming change and success while renewing their faith in the power of creation and love. Continue reading

Jan 15

Ladysmith Black Mambazo: Feb. 9, 8PM

Ladysmith Black MambazoPhoto: Luis Leal

Ladysmith Black Mambazo, Photo: Luis Leal

presented by World Music/CRASHarts

From South Africa

Saturday, February 9, 8:00 PM ONLY
Sanders Theatre
45 Quincy St
Cambridge, 02138
Ladysmith Black Mambazo Facebook Page

With the power of gospel and the precision of Broadway, Ladysmith Black Mambazo is the undisputed king of mbube, South African a cappella singing. The group came together in the early 1960s and continues to thrill audiences around the world with its strong, proud melodies, harmonized in layers of call and response.

Jan 15

“Vinegar Tom”: A Deceptively Timely Play

Photo credit: Whistler in the Dark; This show contains material that may trigger PTSD  - please try to see it anyway.

Photo credit: Whistler in the Dark; This show contains material that may trigger PTSD – please try to see it anyway.

presented by Whistler in the Dark Theatre
Vinegar Tom is presented by special arrangement with Samuel French, Inc.

by Caryl Churchill

directed by Mac Young
songs composed by Molly Allis, Juliet Olivier & Veronica Barron
music Composed and Performed by: Veronica Barron & Tony Leva
lyrics by Caryl Churchill

January 11th-February 2nd
The Calderwood Pavilion at the BCA
539 Tremont Street, Boston, MA 02116
Whistler in the Dark Theatre Facebook Page

Review by Gillian Daniels

TRIGGER WARNING

(Boston) Historical fiction is often said to reflect the era in which it’s written rather than the era it’s written about.  Caryl Churchill’s Vinegar Tom, originally performed in 1976, mirrors the growing awareness of feminism.  In 1600’s England, a group of women deal with being unmarried, unrepresented, and unwanted. The result is a play that’s appropriately bleak.

Vinegar Tom begins with Alice, portrayed by the excellent but often subtle Becca A. Lewis.  Lewis playfully drives the show as a young woman with a feather-light conscience despite having an infant son out of wedlock.  Her performance is credible not as a woman anachronistically independent or “ahead of her time,” but as someone who wants to marry and live on her own terms.  She is aided by her mother, Joan (Karin Webb), who is largely dismissed and derided by their town as an old hag. Continue reading

Jan 06

Breathtaking Chutzpah: PIPPIN

Photo: Michael Lutch; a tender balancing act.

Photo: Michael Lutch; a tender balancing act.

book Roger O. Hirson
music and lyrics Stephen Schwartz
directed by Diane Paulus
circus creation Gypsy Snider of Les 7 Doigts de la Main
choreography by Chet Walker in the style of Bob Fosse

presented by American Repertory Theatre
Loeb Drama Center
64 Brattle St.
Cambridge, MA 02138
December 5, 2012 to January 20, 2013
ART Facebook Page

Review by Kitty Drexel

(Cambridge) This Cirque du Soleil meets Fosse production of “Pippin” tells the tale of the Everyman, a youthful personification of any adult tentatively beginning the journey toward self-knowledge. Our young hero seeks the meaning of life in all the wrong places: violence, sex, politics, and other follies of inexperience. What the audience soon realizes is that Pippin, son of Charlemagne (the Emperor who not only made Christianity famous but mandatory), for all his proclamations, isn’t special. He is on the same journey that all young adults travel in their search for self – plus or minus some fantastical hardships and an orgy or two. What our hero discovers on this epic ego-trip is that, after he finds and secures a lasting relationship with meaning, he doesn’t know what to do with it. Continue reading

Dec 29

Bring Tissues: “Joseph and the Amazing Technicolor Dreamcoat”

Photo credit: Turtle Lane Playhouse; Joseph and Pharaoh getting familiar.

Photo credit: Turtle Lane Playhouse; Joseph and Pharaoh getting familiar.

by Andrew Lloyd Webber and Tim Rice

Presented by Turtle Lane Playhouse

Joseph and the Amazing Technicolor Dreamcoat
December 7th-30th, 2012
Turtle Lane Playhouse Facebook Page
283 Melrose Street
Auburndale Ma 02466

Directed and Choreographed by Rachel Bertone
Music directed by Daniel Rodriquez

The music of Andrew Lloyd Weber has a way of wheedling its way under your skin and pulling on the most protected of heart-strings. Tim Rice’s words and lyrics are like poetry. This is true still of Turtle Lane’s production of Joseph the 2nd to last production for this Playhouse before the doors close forever. It’s a damn shame, their productions are touching and their outreach is vast. This is a community theater production with all the trappings of community theater but it is strikingly good. Those expecting it to be a different beast will be disappointed. Those anticipating a friendly night of theater will be happily surprised by the quality of the local music, dancing and costumes. Continue reading

Dec 25

A Somewhat Fun Yuletide Tradition: THE CHRISTMAS REVELS

photo credit: The Christmas Revels

photo credit: The Christmas Revels

 

presented by Revels, Inc.

Directed by Patrick Swanson George Emlen, Music Director Sanders Theatre Cambridge, MA December 16th – 27th, 2012

Review by Craig Idlebrook

(Cambridge) Christmas is perhaps the one time of the year when America adheres fiercely to tradition. Every family that celebrates Christmas has its rituals, whether it’s going to midnight mass or eating all of the red M&M’s on Christmas Eve and all of the green M&M’s on Christmas Day. The trick is to keep the rituals vibrant and alive, rather than go through the motions year after year. Continue reading

Dec 08

Hold Onto Your Shawarma, Here Comes Crazypants: “The Embryos”

Photo credit: Fresh Ink Theatre
Mommy and Daddy don’t like fast food.

presented by Fresh Ink Theatre Company

Written by Ginger Lazarus
Directored by Dawn M. Simmons
Dramaturg: Tyler J. Monroe

The Factory Theatre
November 30-December 15, 2012
Fresh Ink Theatre Blog, Facebook Page

Review by Kitty Drexel

(Boston) There are many valid reasons to become a parent. Some “adults” feel that it is their life’s mission to procreate; some couples want to share their love organically; and others accidentally drop a cheeto into their partner’s lap, live in the moment and welcome a baby 9 months later. To each their own. Ginger Lazarus’ nugget of hilarity, The Embryos, offers a surrealist viewpoint on parenting that investigates topical politics as well as the extent of delusion only unconditional love enables. Her characters begin their journey hoping for a larger family. They end it on the wrong sides of the law and the greater Shawarma community. Continue reading

Nov 18

Breaching the Dark: “The Man in The Couch”

Photograph by Becca A. Lewis

Writer and director Alison Meirowitz/McCarthy
Now running, Nov. 2-18 Thurs-Sat 8pm, Sun 3pm
Review by Kitty Drexel
(Boston) The Man in the Couchis a hard candy nugget of science fiction and horror. On the surface it is smooth and hard and the characters’ inner depths continue to be the same. It isn’t sweet but it can offer some satisfaction. Our main characters are the rock and hard place that they have to breach in order to regain relative sanity/peace. It is reminiscent of The Twilight Zoneepisode “Nothing in the Dark” about an old woman shut away in an apartment to avoid meeting “Mr. Death” (the swoon-inducing Robert Redford). Continue reading
Nov 16

Music to Rock a Revolution: “Rock ‘n’ Roll”

Photo credit: The Longwood Players; the cast does not headbang in this production.

 

Presented by The Longwood Players
By Tom Stoppard
Directed by Kaitlyn Chantry

Cambridge YMCA Theater
820 Mass. Ave.
Central Square, Cambridge MA
November 9 – 17
Longwood Players Facebook Page

Review by Kitty Drexel

(Cambridge) If you enjoy rock legends such as The Doors, The Velvet Underground, or Pink Floyd (Sid Barrett) with a dollop of political science philosophy, Rock ‘n’ Roll is for you. If not, I suggest skipping this heady production by The Longwood Players. There is a lot to value here but the cerebral participation necessary to enjoy Tom Stoppard’s work may overwhelm the audience goer expecting a lighter devotional to Rock. Continue reading