Category Archives: Shakespeare

Feb 19

An Improbable Fiction Played Upon The Stage: “12 Nights”

Posted on by

Photo borrowed from Oberon website. No photo credit available on site. Notice from sources will prompt immediate update to give credit where it is due.

Presented by The Hypocrites
Directed and Adapted by Sean Graney
Adapted from the play by William Shakespeare

February 18 – 21, 2014
The Oberon
2 Arrow Street, Cambridge MA
The Hypocrites on Facebook

Welcome back dear readers! I am reporting to you from day two of Dani’s Grand Bardopalooza Adventure: 2K14.  Over three days, I will attend and review three different American Shakespeare remixes.  Tonight’s Oreo filling show: 12 Nights presented by The Hypocrites at Club Oberon.  Stop back later this week to catch the stunning conclusion of this Epic Shakes-Series.

(Cambridge) Watch out, Boston; The Hypocrites are back in town.

After their stunning production of The Pirates of Penzance (first performed at Oberon in June 2012, then again on the A.R.T. main stage this past May), I had high expectations for 12 Nights.  The Hypocrites excel at high-octane performance which engages and illuminates for audiences who might otherwise have given this style of theatre a miss.  As such, I thought that Shakespeare was a perfect fit for this Chicago-based company.  What better way to interest people in the Bard than to introduce them at a Hypocritical party. Continue reading →

Feb 18

Extempore from their Mother Wit: Improvised Shakespeare Company

Posted on by

Improvised-Shakespeare-Logo

ImprovBoston

Presented by Improv Boston
By Improvised Shakespeare Company

February 17, 2014
ImprovBoston
Cambridge, MA
Improvised Shakespeare Co on Facebook

Review by Danielle Rosvally

Hello dear readers; I am reporting to you from the front lines of Dani’s Grand Bardopalooza Adventure: 2K14.  Over the next three days, I will be attending three different American Shakespeare remixes and reviewing them right here just for you.  First up: Chicago’s Improvised Shakespeare Company.  Stop back later this week to catch the rest of this Epic Shakes-Series.

(Cambridge) I have wanted to see the Improvised Shakespeare Company in performance for years.  Years.  They’ve fallen on and off my radar several times since I first discovered their existence and, despite my living in veritable theatre Meccas for the entirety of my earthly existence, I’ve not yet had a chance to catch their show. Continue reading →

Nov 25

Nothing is but What Is Not: “Macbeth”

Posted on by

Presented by F.U.D.G.E. Theatre Company
By William Shakespeare
Directed by Joey DeMita
Original Music by Steven Bergman

November 22 – 30th, 2013
Arsenal Center for the Arts
F.U.D.G.E. Theatre Company on Facebook

Review by Danielle Rosvally

(Watertown) Some projects require a special touch.  There are, for instance, people who implicitly understand Musicals.  The musical form requires things that other theatre does not: an eye for choreography, an ear for music, an interest in balancing ham and legitimate acting…

Directing Shakespeare is a very specific task that requires a very specific skillset: an ear for rhetoric, an understanding of verse, a knowledge of history, an eye for embedded stage directions… F.U.D.G.E.’s Joey DeMita has none of these skills. Continue reading →

Oct 21

Rage Against the Love Machine: ROMEO AND JULIET

Posted on by
http://www.actorsshakespeareproject.org/sites/default/files/gallery/Stratton_McCrady_201310010235.jpg?download=1

Stratton McCrady Photography 2013

Presented by Actors’ Shakespeare Project
By William Shakespeare
Co-directed by Bobbie Steinbach and Allyn Burrows

October 2nd – November 3rd, 2013
The Strand Theatre
Dorchester (Boston), MA
Actor’s Shakespeare Project on Facebook

Review by Craig Idlebrook

(Boston) We are so insane for love that we co-opt works of art that vilify love and turn them into romantic propaganda.  It happens with every generation.  I grew up with The Police song “Every Breath You Take” as the best love song of 1983, even though it was clearly about a stalker

Romeo and Juliet has become a stand-in for romance, so much so that Bugs Bunny and Pepe LePew could do the balcony scene and 4-year-olds would get the joke.  But while any college freshman with a dye job can enjoy the irony that this iconically romantic story could easily be considered a black comedy, few theatre companies can stage “R + J” productions that can cut through the “Will U Be Mine” ethos we smear on the play. Continue reading →

Aug 26

Brown Box Theatre’s “Midsummer Night’s Dream” Drips with Humor, Actual Water

Posted on by

Presented by Brown Box Theatre Project
By William Shakespeare
Directed by Kyler Taustin

Aug. 23 – Sept. 1, 2013
Children Wharf’s Park, outside the Boston Children’s Museum
Boston, MA
Brown Box Theatre Project on Facebook

Can’t attend these performances in Boston? You’re in luck! Following their Boston performances, the Brown Box cast and crew will pack up their set and continue their tour on the Eastern Shore of Maryland and Delaware.

Review by Gillian Daniels

The last production of A Midsummer Night’s Dream I saw before Brown Box Theatre’s was The Donkey Show at the Oberon.  Where the Oberon’s version was a show infused with drugs, sex, the excesses of 1970’s disco culture, and go-go dancer boys with body glitter, Brown Box Theatre fills its show with the excesses of Elizabethan fairies and water basins liberally placed around its stage.  The long-running Donkey Show may be the toast of Cambridge, but Brown Box Theatre has captured a more vibrant energy in its traditional telling. Continue reading →

Jul 08

Free Shakespeare in the Park: “Two Gentlemen of Verona”

Posted on by

http://www.commshakes.org/system/storage/222/65/a/640/2_gents_website.jpg

Music Director, Colin Thurmond
Set Designer, Beowulf Boritt
Sound Designer, J. Hagenbuckle
Lighting Designer, Eric Southern
Costume Designer, Nancy Leary

Commonwealth Shakespeare Company Main Page, Facebook Page
Boston Common venue
Comm Shakes FAQ page

“Two Gents” tells the tale of two friends who leave their hometown of Verona to find their happy fortunes in Milan. Instead, they find temptation, trickery, and trouble as they vie for favor with the high-society Duke… and his debutante daughter. All are drawn into a web of disguise and secrecy where the last thing anyone wants is for the truth to surface — least of all the dog.

Inspired by Rat Pack-era Vegas — the glamor, the hedonism, and the morning after agonies — the production brings new meaning to the line “what happens in Milan, stays in Milan…”

SPECIAL PERFORMANCES AND EVENTS:
JULY 18TH: AUDIO-DESCRIBED PERFORMANCE
JULY 21ST: ASL-INTERPRETED PERFORMANCE
JULY 26TH: “FAMILY DAY” AND “FREE FUN FRIDAY”
JULY 27TH @ 2PM: ASL-INTERPRETED PERFORMANCE

May 14

Theatre is where my heart is.

Posted on by

VID00453

ONLY 6 DAYS & 8 HOURS LEFT.  WILL YOU HELP? (as of 7pm EST 5/14/2013)

by Becca Kidwell

The idea for Swiftly Tilting Theatre Project came out of my deep need and love of theatre, which I want to share with everyone.  I forgot when I started the kickstarter that this didn’t mean demanding more from those who have more or not giving to those who have less.

Everything good and right in my life has happened when I have been honest and true.  That doesn’t change because it is “business,” IF WE’RE GOING TO MAKE THIS HAPPEN, WE’RE DOING THIS TOGETHER! Continue reading →

May 07

Bleak Travels Through “Hamlet Asylum”

Posted on by

Presented by The Calliope Project

May 3, 4, 10, and 11th at 8PM
Green Street Studios Theatre
185 Green St
Cambridge MA
The Calliope Project Facebook Page

Review by the lovely Gillian Daniels

**EXPLICIT CONTENT INCLUDING RAPE AND VIOLENCE**

Some contemporary productions of Hamlet play with the ambiguity of the Prince of Denmark’s sanity.  Is he seeking justice or satisfying a personal vendetta with the logic of a “ghost” to back him up, “mad north-north-west” or just vengeful?  In Hamlet Asylum, this ambiguity is dismissed.  Most of the play clearly takes place in the head of Bryan Bernfield’s Hamlet.  A masked Greek chorus (Meghan Kelly, Amiel Bowers, and Samuel Guerin) speak in the voice of his father, his confidant Horatio, the gravediggers, and others, all in the guise of Hamlet’s repressed desires.   It’s a clever idea.  The result, though,
is a production both rich with symbols and dark with melodrama. Continue reading →

Apr 26

Perils, Pirates, Prostitutes, and the Peculiarity of “Pericles”

Posted on by

Omar Robinson, Johnny Lee Davenport*, and Johnnie McQuarley in the foreground, with Jesse Hinson* (Pericles) and the cast in the background.
Photo: Stratton McCrady Photography

Presented by Actor’s Shakespeare Project
by William Shakespeare
directed by Allyn Burrows

The Modern Theatre at Suffolk University
525 Washington St., Boston
April 17 – May 12, 2013
ASP Facebook Page

Review by Gillian Daniels

(Boston) It’s easy to see why Pericles, Prince of Tyre isn’t one of Shakespeare’s best loved plays.  The plot is often as lost at sea as the titular character, who drifts from one melodramatic episode to the next on an unending voyage.  Pericles’ journey begins with villainous incest and the threat of death and, after abandoning this thread, continues on to tragic storms, kidnappings, and brothels.  Taking on this play means a potential mess. Continue reading →

Apr 25

Help Make The Theatre Geek’s Dream Come True!

Posted on by

season-teasersmallSwiftly Tilting Theatre Project, Inc.
Swiftly Tilting Theatre’s Facebook Page

Kickstarter Page
The Taming of the Shrew by William Shakespeare
January 9-19, 2014, at The Chain Theatre, 21-28 45th Rd, Long Island City, NY
Iphigenia at Aulis by Euripides
March 31-April 13, 2014, at The Secret Theatre’s Poco Theatre, 44-02 33rd St, Long Island City, NY

I passed on my blog to Kitty Drexel when I realized that I could no longer deny my desire to create a theatre company.  Long Island City, one of the major residences of New York based theatre people, is becoming an economical alternative for theatrical productions.  I was born in New Jersey, so it was only a matter of time before I inched my way back to the area.  I want to give artists and audiences the opportunity to be a part of quality theatre, regardless of income.  I am trying to do what Whistler in the Dark has done for Boston to the Queens area.

Swiftly Tilting Theatre Project is an artist community that will work towards bringing artists and audiences together while allowing us all to not be crushed by hard economic times.

Please watch the video and even the smallest pledge to the Kickstarter will help my dream become a reality.

Becca Kidwell, Chief Geek. Emerita