Jul 20

Big Heart, Strings Showing: ANNIE

Photo by Paul Lyden, Jacquelyn Piro Donovan and Lauren Weintraub.

Annie, music by Charles Strouse, lyrics by Martin Charmin, book by Thomas Meehan, North Shore Music Theatre, 7/17/12- 7/29/12, http://www.nsmt.org/index.php?option=com_content&task=view&id=971&Itemid=2320.

Reviewed by Craig Idlebrook

(Beverly, MA) Sometimes, when you shine a light on a worn-out plotline by staging a good production, you breathe new life into the script.  Other times, a strong production’s focus can make a threadbare script fall to pieces.  Continue reading

Jul 18

Bye, Bye, Birdie: Fully Loaded Fun

 

photo credit: Reagle Players

Bye, Bye, Birdie, music by Charles Strouse, lyrics by Lee Adams, book by Michael Stewart, Reagle Music Theatre, Waltham High School Robinson Theatre, 7/13/12-7/22/12, http://www.reagleplayers.com/current.html#Birdieinfo.

Reviewed by John Herring

(Waltham, MA) I’ve always enjoyed seeing shows at Waltham High School’s Robinson Theatre. The audience space is ample, clean and comfortable, the orchestra pit plenty big enough for a mid-size ensemble, the technical facility is as good as or better than many professional theatres, and the acoustics are good. Which brings me to the sound quality of the orchestra. Winds and strings went together as tightly as I recall ever hearing a show orchestra play, with volume to fully envelop the listeners. So much so that I worried about the actors having to belt when they should soften, or being overpowered altogether. But worries were unfounded. Music Director Dan Rodriguez and Conductor Jeff Leonard made sure that the orchestra did what any good show orchestra should do – support and enhance the action. Continue reading

Jul 15

LEGALLY BLONDE

Legally Blonde, music & lyrics by Laurence O’Keefe and Nell Benjamin, book by Heather Hach, Boston Children’s Theatre Studio 3The Governor’s Academy Performing Arts Centerhttp://bostonchildrenstheatre.org/.

retrospective by John Herring

If anyone ever doubts the origin of energy at a performance, just look to those younger attendees. You will find your lost inner child there, and maybe a little of your missing ingenuousness. At the Boston Children’s Theatre Studio 3 presentation of LEGALLY BLONDE, at the historical Governor’s Academy in Byfield on Thursday evening, the 12th of July, I was swept on a tide of kids’ insouciant ebullience, just getting to the doors. Continue reading

Jun 25

ADHD NPR – CAR TALK: THE MUSICAL

The cast in a scene from Underground Railway Theater’s and Suffolk University’s co-production of Car Talk: The Musical!!! running from June 14 – August 12 at Central Square Theater, 450 Massachusetts Avenue, Cambridge, MA. Tickets & Information: 866.811.4111 or CentralSquareTheater.org. Photo: A.R. Sinclair Photography.

Car Talk: The Musical, book and lyrics Wesley Savick, original music by Michael Wartofsky, Underground Railway Theater & Suffolk University, Central Square Theater, 6/14/12-8/12/12, http://www.centralsquaretheater.org.

Reviewed by Craig Idlebrook

Charisma can carry a show a long way. Just look at what it did for Tom and Ray Magliozzi, a pair of goofball (and genius) brother-mechanics who talked their way into a hit show on National Public Radio. For 35 years, the pair has giggled their way through thousands of calls from car owners with mystery questions, strewing terrible puns and corny humor on the road as they went.

And now, on the eve of the brothers’ retirement from “Car Talk”, they have gotten themselves involved in a musical, written by Wesley Savick, with music by Michael Wartofsky. Continue reading

Jun 19

A Chorus Line: Meant for One, Singular Audience (That May Not Be You)

Allison Russell as Maggie, Aimee Doherty as Sheila and Hannah Shihdanian as Bebe in A CHORUS LINE at Reagle Music Theatre June 15-24, photo credit Herb Philpott.

A Chorus Line, music by Marvin Hamlisch, lyrics by Edward Kleban, book by James Kirkwood and Nicholas Dante, Reagle Music Theatre, 6/15/12-6/24/12, http://www.reagleplayers.com/current.html.

Reviewed by Gillian Daniels

(Waltham, MA) The Reagle Music Theatre is a supportive, intimate venue I remember with pleasure from when I visited it to review Christmas Time.  Reagle puts on the same high quality production in A Chorus Line, too, despite some difficulty with the microphones halfway through the play I sat through.

A Chorus Line fits for the Reagle even if the original material hasn’t aged well. Continue reading

Jun 16

Awesomeness on Wheels: ROLLER DISCO: THE MUSICAL

photo credit: Ministry of Theater

Roller Disco:  The Musical, book by Sam Forman and Jen Wineman, lyrics by Sam Forman, music by Eli Bolin, Ministry of Theater and Club Oberon, 5/30/12-8/30/12, http://www.rollerdiscothemusical.com/Home.html.

Reviewed by Craig Idlebrook

(Cambridge, MA) Sometimes, you come across a play that works so effortlessly on so many levels that it skates circles around your standard theatrical fare.  Club Oberon’s Roller Disco, glittery, vacant, hyper and hysterical, draws the audience into a disco-soaked world from the theme song’s opening strands.  We have no choice but to harken back to striped tube socks, gritty skating rinks and cheesy eighties movies.  Heck, we never even put up a fight. Continue reading

Jun 14

Glittery, but Not Grabbing: HELLO DOLLY!

“Hello, Dolly!” Jacquelyn Piro Donovan (Dolly Gallagher Levi) and the ensemble of North Shore Music Theatre’s production of HELLO, DOLLY! Photo by Paul Lyden

Hello Dolly!, book by Michael Stewart, music by Jerry Herman, North Shore Music Theatre, 6/12/12-6/24/12, http://www.nsmt.org/index.php?option=com_content&task=view&id=969.

Reviewed by Craig Idlebrook

Since Elizabethan times, some plays have been built around the concept of a character as a force of nature.  As a playwright, it’s often a good strategy that allows a great actor to cover plotline foibles with a powerful performance.  But such a strategy also can backfire, because when your lead can’t will the play to life, a weak plot is exposed all the more.  Continue reading

Jun 12

Ken Davenport’s Notice: Don’t Miss The Beautiful City of GODSPELL

photo by Jeremy Daniel from Playbill

Godspell, music and lyrics by Stephen Schwartz, book by John-Michael Tebelak, Circle In The Square Theatre (Broadway), 10/13/11-6/24/12, http://www.godspell.com/. DON’T MISS THIS BRILLIANT & EXCITING SHOW!! (Directed by Huntington’s God of Carnage director, Daniel Goldstein)

(source: http://www.godspellblog.com/the-godspell-update-we-built-a-beautiful-city)
Ken Davenport, the lead producer of Godspell, wrote this note on his blog:

“I just left the Circle in the Square Theatre moments ago, where with a very heavy heart I told the cast and crew that Godspell will play its final performance on Sunday, June 24th. While we certainly had hoped our show would run for years and years, we’re all very proud of the beautiful city we built.

Over the last nine months, our sensational cast has spread the joy of Godspell to over 153,000 people (and blasted them with over 1,000 pounds of confetti). And while this production of Godspell may not be at Circle in the Square past the 24th of June, it will be in our hearts and the hearts of everyone who saw it forever.

Continue reading

May 27

Connecting with the Cheerfully Cheesy “Xanadu”

McCaela Donovan and Ryan Overberg, Photo: Craig Bailey/Perspective Photo

Xanadu, book by Douglas Carter Beane, music and lyrics by Jeff Lynne and John Farrar, Speakeasy Stage Company, Roberts Studio Theatre at the Boston Center for the Arts, 5/11/12-6/9/12, http://www.speakeasystage.com/doc.php?section=showpage&page=xanadu.

Reviewed by Gillian Daniels

Xanadu, the 1980 film featuring Olivia Newton John and music by the Electric Light Orchestra, is well known for being a critical flop.  The chief crime of this cinematic musical, however, is in creating entertainment that doesn’t connect with its audience.  After all, it’s a movie about disco released a year after the genre died a largely un-mourned death.  I’m hard pressed to find a better image of disconnection than that.

In being brought to the stage, Xanadu has finally found its correct medium.  The show not only finds its audience but winks at it furiously throughout the course of the story. Continue reading

May 19

Just Shy of Hilarious: AVENUE Q

John Ambrosino & Phil Tayler; photo credit: Mark S. Howard

Avenue Q, music and lyrics by Robert Lopez and Jeff Marx, book by Jeff Whitty, Lyric Stage Company of Boston, 5/11/12- 6/24/12,  EXTENDED to 7/1/12, https://lyricstage.com/main_stage/avenue_q/.

Reviewed by Craig Idlebrook

(Boston, MA) Comedy is a game of milliseconds.  The difference between a good laugh and a belly laugh is all in the timing.  If you don’t land the gag just right, the joke can fall flat.  Lyric Stage’s production of Avenue Q is very funny, but it could have been crack-a-rib hilarious.

The script and song are the closest you can come to a guaranteed crowd-pleaser.  Take the earnestness of Sesame Street, mash it with the slacker sensibilities of Friends and the crowd can’t help but laugh.  Continue reading