Category Archives: Drama

Oct 04

Looking for Heaven in All Places: “A Bright New Boise”

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Photo by Richard Hall/Silverline Images

Photo by Richard Hall/Silverline Images; The Cast acting the crap out of “A Bright New Boise.”

 

by Samuel D. Hunter
presented by Zeitgeist Stage Company
directed by David J. Miller

Boston Center for the Arts
Plaza Black Box Theatre
September 28 – October 20

Zeitgeist Stage Company Facebook Page

Review by Kitty Drexel

(Boston) A Bright New Boise, is the tale of one man seeking redemption in the break-room of a craft store by reconnecting with his son. It is equal parts hilarious and heartbreaking.  The hero, soft-spoken and prodigal father, Will (Victor Shopov), reconnects with his son Alex (Zach Winston) after a successful interview at Hobby Lobby. Pauline (Janelle Mills), the manager, introduces the two and things start to go downhill, slightly uphill and then furiously downhill. They are joined by characters Anna (Dakota Shepard) and Leroy (David Lutheran), Alex’s brother. Continue reading →

Sep 26

“Immaterial Girl” as an Old-Fashioned Haunted House (Episode 1 of Blood Rose Rising)

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Photo Credit: Honest Ghost Productions LLC

Episode 1 of Blood Rose Rising
presented by Honest Ghost Productions
Fridays, Saturdays, and Sundays, starting September 14 – November 18
NAGA Nightclub, Central Square
450 Massachusetts Avenue
Cambridge, MA 02139

Blood Rose Rising Facebook Page

Review by Gillian Daniels

(Cambridge) A real gothic story isn’t about tragic romance, torture, or death, but houses. Houses with long histories and dark secrets. In the contemporary setting of Cambridge, Immaterial Girl offers the beginning to an old-fashioned gothic serial centered on the haunted Blackwood Manor. Continue reading →

Sep 22

Theater meets Chaos Theory: Jay Scheib’s “World of Wires”

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Photo Credit: Jay Scheib’s “World of Wires”, Institute of Contemporary Art/Boston

presented by The Institute of Contemporary Art/ Boston

The Institute of Art/Boston Website
Jay Scheib’s World of Wires Facebook Page
Friday + Saturday, September 21 + 22, 2012 , 7:30 pm
100 Northern Avenue
Boston, MA 02210 – directions

Review by Kitty Drexel

(Boston) Jay Scheib’s World of Wires is a live-cinema presentation that utilizes the mediums of television, live theater, the internet, music and all manners of spectating. It is an exhibition that posits that human experience on the internet is both defined by and created through actual and simulated human interaction. The result is a chaotic melodrama birthed by an obsessive zeitgeist. Continue reading →

Sep 17

“No Room for Wishing” Makes Room for All

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No Room for Wishing
Performed and written by Danny Bryck.

Photo credit: “No Room for Wishing”

Directed by Megan Sandberg-Zakian.

Co-produced by Company One and Central Square Theater, supported in part by a Boston Playwrights’ Theatre Black Box Fellowship.

Playing at the Boston Center for Arts, 9/13 – 9/22
Playing at Central Square Theater, 9/30 – 10/9

No Room for Wishing Facebook Page
No Room for Wishing Website

Review by Kitty Drexel

“But I hear the boys the boys and girls are coming up up up from the underground… You can find ‘em there, they’re all fired up in Dewey Square… you can call them what you want, you can call them what you need, you can call them what you want but there’s no room for wishing in revolution.”  – Ruby Rose Fox, “Dewey Square”

(Boston) No Room for Wishing is a compilation of interviews and live recordings from the Occupy Boston Movement. The production was written and performed by local actor, Danny Bryck. It is directed by Megan Sandberg-Zakian.

Bryck’s tour de force performance is a must see for Occupy Movement supporters and sympathizers. It offers a personal perspective of Occupy Boston that was not captured by local media during 2011. It is also a must see for those who opposed the movement.  This bare bones production lionizes the individual reasons for protesting while disassembling the stereotypes associated with the majority of activists. Bryck’s characterizations personalize the movement and the many people that the media had neglected; the moderate and the revolutionized. Continue reading →

Sep 16

Brilliance and Bravery in New Rep’s “The Kite Runner”

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The Kite Runner adapted for the stage by Matthew Spangler.
Novel by the same name by author Khaled Hosseini.
Directed by Elaine Vaan Hogue.

Photo by Andrew Brilliant/ Brilliant Pictures.

Photo by Andrew Brilliant/ Brilliant Pictures.

Performances, September 9-30, 2012
New Repertory Theater
Charles Mosesian Theater
Arsenal Center for the Arts
321 Arsenal Street, Watertown, MA 02472

New Repertory Theater Facebook Page

Review by Kitty Drexel

(Watertown) New Rep’s The Kite Runner is adapted for the stage by Matthew Spangler from the novel by the same name by author Khaled Hosseini. Director, Elaine Vaan Hogue, interprets her subject with fresh perspective in our post-9/11 world with compassion and ingenuity. Continue reading →

Sep 14

Bent, Not Broken

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BENT
Presented by Theatre@First
A Play by Martin Sherman
Directed by Nick Bennett-Zendzian

Theatre@First Facebook Page

Performances: Friday, September 14 – Saturday, September 22
Unity Somerville, 6 William Street at College Ave.
TICKETS – $15 for adults, $12 for students/seniors. Group discounts available.

Review by Gillian Daniels

(Somerville) When the stakes grow to dizzying heights, Theatre@First’s production of Bent has the power to draw its audience as tightly as a bowstring. The air crackles expectantly as viewers wait for the other shoe to drop.  As its characters are fenced in with barbed wire and SS guards, they are left with nothing but the hope that things can’t get any worse.  It certainly will, especially when that backdrop is the Holocaust and the principal characters are homosexual. Continue reading →

Sep 13

An Ambitious Tragicomedy: MARIE ANTOINETTE

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photo by Joan Marcus

Marie Antoinette by David Adjmi
Directed by Rebecca Taichman

American Repertory Theater, Loeb Drama Center
September 1 – September 29

Reviewed by Kate Longberg-Lew

You are likely already familiar with the tale of Marie Antoinette, the young queen who eventually losses her head at the bequest of her constituency, but you’ve never seen it presented this way. The ART’s production is, in a word, ambitious. This self-described tragicomedy is part Sex in the City, part Moulin Rouge, part modern, part historical, part drama, and part comedy.   Continue reading →

Sep 02

The Better to Allure You With, My Dear

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Photo Credit: Wax Wings Productions

Grandma’s House
Directed by Jennifer Reddish, Script by Kevin Kordis

Factory Theater (791 Tremont Street Boston, MA) from August 22-September 2

Wax Wings Productions
Wax Wings Facebook Page

Review by Kitty M Drexel

(Boston) Grandma’s House is a dramatic re-envisioning of the classic “Little Red Riding Hood” tale. Playwright, Kevin Kordis, brings the relationship between the Wolf and Little Red into the 22nd century as he explores the many definitions of the term “Wolf.” In this cautionary tale about cautionary tales, the cast and crew invite their audience to enjoy the fable of their youth and manipulate them into challenging their understanding of what a wolf is and can be. Continue reading →

Sep 01

Two Hours of Sweet Traffic: ROMEO AND JULIET

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Romeo and Juliet by William Shakespeare

Still Harbor, Dorchester 8/31/12-9/2/12
As well as other performances along the Eastern Shore through 9/14/12

Brown Box Theatre Project
Brown Box Theatre Project Facebook Page

Directed by Kyler Tausten
Fight Choreographer: Conor Olmstead

Review by Craig Idlebrook

What are your evening plans this weekend?  Cancel them.  I’ve got a Shakespeare play for you.

Wait, no, I’m serious.  I can hear the arguments now from the Bard-haters: long-winded speeches, posturing on stage, something fit for academic halls.  But that’s why you’ve got to drop what you’re doing and see the Brown Box Theatre breathe some life into the dusty folios with a no-frills, fast-paced production of Romeo and Juliet.  Continue reading →

Aug 25

What If? Racial Diversity in “Romeo and Juliet”

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My bounty is as boundless as the sea,
My love as deep; the more I give to thee,
The more I have, for both are infinite.

―Romeo and Juliet Act 2 Scene II

Photo Credit: Happy Medium Theatre

Director: Paula Plum
Dance Choreographer: Kiki Samko
Fight Choreographer: Angie Jepson

Happy Medium Theatre Company
Happy Medium Theatre Co. Facebook Page

Exposé by Kitty Drexel

(Boston) Happy Medium Theatre (HMT) took a risk: it cast a black Romeo against a white Juliet (who had excellent chemistry by the by). Bravo HMT for having the chutzpah for casting biracially! Bravo for making your audience ask “what if?” What if Romeo had been a Moore like Othello? What if Juliet had fallen in love with her Romeo and the resulting drama was a result over their family names and not the color of their skin? What if their love was measured against all other loves and found to be equal? What if HMT’s version of Romeo and Juliet was the version that had been performed for centuries rather than the typical all White cast? Topical questions for 2012: What if, indeed.

In a time when the Supreme Court system cannot make up its mind as to whether marriage is a religious or a civil rights issue, HMT’s production forces us to take a look at the history of love. Just 15 years ago one wouldn’t see a biracial couple on daytime TV much less a reproduction of Shakespeare. It is time for all love to be measured by its inherent worth on the streets. It is also time for the shock to be amputated from love that exists outside the norm on the stage. If it has been acceptable for a 13-year-old girl to marry a 17-year-old boy for hundreds of years then it is certainly time for that couple to reflect its audience members.

As artists, we have an obligation to entertain and educate our audience, an obligation to leave our audience in better condition after the show than before it starts. It is our privilege as enthusiasts to create theater with our community. Thank you Happy Medium Theater Company for taking the opportunity to be poignant and to pose difficult questions. Thank you for being brave. Bravi tutti!

Performances ran August 10-25, 2012 at the Plaza Theatre at the Boston Center for the Arts,
537 Tremont Street, Boston, MA 02116