Sep 18

Project: Project’s WHAT ARE YOU DOING HERE?

This is our FIRST fundraiser for our FIRST production. A $500 pittance to assist with space rental and miscellaneous props that can’t be found in our closets.

Our current show, What are You Doing Here?, has been in the works since we first came together in November 2011. After one year of devising, improvising, writing and rewriting it is coming to fruition. Now we need your help to see it through! It’s part improvised, part scripted, and all site-specific at the Democracy Center in Cambridge, MA. Continue reading

Sep 17

“No Room for Wishing” Makes Room for All

No Room for Wishing
Performed and written by Danny Bryck.

Photo credit: “No Room for Wishing”

Directed by Megan Sandberg-Zakian.

Co-produced by Company One and Central Square Theater, supported in part by a Boston Playwrights’ Theatre Black Box Fellowship.

Playing at the Boston Center for Arts, 9/13 – 9/22
Playing at Central Square Theater, 9/30 – 10/9

No Room for Wishing Facebook Page
No Room for Wishing Website

Review by Kitty Drexel

“But I hear the boys the boys and girls are coming up up up from the underground… You can find ‘em there, they’re all fired up in Dewey Square… you can call them what you want, you can call them what you need, you can call them what you want but there’s no room for wishing in revolution.”  – Ruby Rose Fox, “Dewey Square”

(Boston) No Room for Wishing is a compilation of interviews and live recordings from the Occupy Boston Movement. The production was written and performed by local actor, Danny Bryck. It is directed by Megan Sandberg-Zakian.

Bryck’s tour de force performance is a must see for Occupy Movement supporters and sympathizers. It offers a personal perspective of Occupy Boston that was not captured by local media during 2011. It is also a must see for those who opposed the movement.  This bare bones production lionizes the individual reasons for protesting while disassembling the stereotypes associated with the majority of activists. Bryck’s characterizations personalize the movement and the many people that the media had neglected; the moderate and the revolutionized. Continue reading

Sep 13

An Ambitious Tragicomedy: MARIE ANTOINETTE

photo by Joan Marcus

Marie Antoinette by David Adjmi
Directed by Rebecca Taichman

American Repertory Theater, Loeb Drama Center
September 1 – September 29

Reviewed by Kate Longberg-Lew

You are likely already familiar with the tale of Marie Antoinette, the young queen who eventually losses her head at the bequest of her constituency, but you’ve never seen it presented this way. The ART’s production is, in a word, ambitious. This self-described tragicomedy is part Sex in the City, part Moulin Rouge, part modern, part historical, part drama, and part comedy.   Continue reading

Sep 02

The Better to Allure You With, My Dear

Photo Credit: Wax Wings Productions

Grandma’s House
Directed by Jennifer Reddish, Script by Kevin Kordis

Factory Theater (791 Tremont Street Boston, MA) from August 22-September 2

Wax Wings Productions
Wax Wings Facebook Page

Review by Kitty M Drexel

(Boston) Grandma’s House is a dramatic re-envisioning of the classic “Little Red Riding Hood” tale. Playwright, Kevin Kordis, brings the relationship between the Wolf and Little Red into the 22nd century as he explores the many definitions of the term “Wolf.” In this cautionary tale about cautionary tales, the cast and crew invite their audience to enjoy the fable of their youth and manipulate them into challenging their understanding of what a wolf is and can be. Continue reading

Aug 11

An Ode to Mama

The Third Story by Charles Busch, directed by Adam Zahler and featuring Rick Park as “Queenie.”

Photo Credit: Evgenia Eliseeva

Titanic Theatre Company, August 9-18, 2012, The Arsenal Center for the Arts Black Box                 The Titanic Theatre Company Homepage

The Titanic Theatre Company Facebook Page

Reviewed by Kitty M Drexel

(Watertown, MA) The Third Story is Charles Busch’s devotional to Mothers and their Mama’s Boys everywhere. Screenwriter Peg lures her son Drew back into the business via a narrative of Gangster Noir, B-movie Sci-Fi, Russian fairytale and the kind of motherly affection psychologists use to warm their couches. Peg’s excuse is McCarthyism but her vehicle is a journey through the psyche of a co-dependent man emotionally unprepared to leave the nest. Continue reading

Aug 06

Be a Good Little Widow is a Good Little Show

Image Credit: AIM Stage

Image Credit: AIM Stage

Be A Good Little Widow

August 2- 12

Directed by Courtney O’Connor, AIM Stage, http://www.aimstage.com/index.html

Davis Square Theatre, 255 Elm Street, Somerville, MA

Review by Gillian Daniels

(Somerville, MA) In its inaugural productions, AIM Stage performs a successful balancing act between humor and tragedy. Bekah Brunstetter’s skillfully wrought Be a Good Little Widow is about the awkward timing of grief, the impact it has on relationships, and the bittersweet experience of watching someone disappear completely from your life. I was enormously touched and entertained by it. Continue reading

Aug 01

Earnestness, Perfected: Joseph and the Amazing Technicolor Dreamcoat

Photo Credit: F.U.D.G.E. Theatre Company

Joseph and the Amazing Technicolor Dreamcoat, music by Andrew Lloyd Webber, book and lyrics by Tim Rice,

F.U.D.G.E Theatre Company,
Black Box Theatre at the Arsenal Center for the Arts
7/27/12 – 8/4/12,

http://www.facebook.com/pages/The-FUDGE-Theatre-Company-Inc/77922709870

Review by Craig Idlebrook

(Watertown, MA) I grew up believing Andrew Lloyd Webber and Tim Rice represented the theatrical establishment to overthrow. They wrote the stuff that mediocre crooners sang on cheesy records sold to bored housewives. They cursedly created the material for the medley that my 7th grade choir was forced to sing, filled with needless trills and fills. Continue reading

Jul 31

A Few Moments of Grace: Steel Magnolias

Steel Magnolias by Robert Harling, directed by Nancy Curran Willis
Nextdoor Center for the Arts, July 13-28 2012, http://www.nextdoortheater.org/STEEL.html

photo credit: Nextdoor Center for the Arts

Reviewed by Kate Lonberg-Lew

(Winchester, MA) When I watch an Olympic gymnast fly on the balance beam or the uneven bars, I
know I am watching genius, not because I know the difference between a punch- front summersault and a double pike, but because they make it look easy, effortless. The same can be said of playwright Robert Harling, the author of Steel Magnolias. Continue reading

Jul 23

Rosencrantz and Guildenstern Are Dead: Black Comedy in the Park

photo credit: Apollinaire Theatre Company

Rosencrantz and Guildenstern are Dead
by Tom Stoppard

Apollinaire in the Park 2012

Performances run July 11-28 at 7:30,
in English on Wed. Thurs. & Sat. and Spanish on Fri. & Sun.
Mary O’Malley Parkhttp://www.apollinairetheatre.com/productions/productions.html.

Reviewed by Gillian Daniels

(Chelsea, MA) In a twist on Shakespeare in the Park, the Apollinaire Theatre Company has chosen to perform a free production of Tom Stoppard’s Rosencrantz and Guildenstern Are Dead during the most gorgeous time of year. Each act is in a different location through out Mary O’Malley Park with the audience following the actors during intermission. The sunset, view of the river, docks, mural, and brilliant staging make a surprisingly fitting backdrop for Stoppard’s clever script. Continue reading

Jul 21

True Believers: Attempting a Tribute to Nerd Culture

photo credit: Vagabond Theatre Group

True Believers by Thom Dunn, Vagabond Theatre Group, The Factory Theatre, 7/12/12-7/21/12, http://vagabondtheatregroup.wordpress.com/.

Reviewed by Gillian Daniels

(Boston, MA) San Diego Comic-Con is less a comic book convention than a blown up Hollywood cousin of the original concept.  I both loved and feared it when I attended last year.  It’s a beautiful, strange mess of a con, bloated with action movie advertisements, cameras from SPIKE and BBCA, and hundred dollar t-shirts.  While still a sort of haven for those obsessed with action figures and trade comics, its proximity to tinsel town has turned it into an exciting, stressful hype machine.

Vagabond Theatre Group’s production, True Believers, does an excellent job in distilling this over-saturation. Continue reading