Sep 23

An Earnest Mess: TWINS

Photo Credit: Boston Actors Theatre Facebook page

Presented by Boston Actors Theater
By Julian Olf
Directed by Anna Trachtman

September 6th – September 21st, 2013
Boston Playwrights Theater
Boston, MA
Boston Actors Theatre on Facebook

Review by Craig Idlebrook

(Boston) In his memoir It Would be So Nice if You Weren’t Here, the actor Charles Grodin gleefully revels in his few dismal failures as an actor, including a critique of a scene study given by a famed acting coach where she cut down most of his work on stage.  There was one moment, however, where Grodin and his fellow actor got confused about who was supposed to take a folder, and that moment, she said, was pure acting.  (Think of the frustration one must feel upon hearing such an utterance.) Continue reading

Sep 20

THEATRE@FIRST PRESENTS “THE BULLY PLAYS” TO BENEFIT TEEN EMPOWERMENT

THEATRE@FIRST PRESENTS THE BULLY PLAYS
Honoring National Anti-Bullying Awareness Month in Somerville
Portion of the proceeds to benefit the local anti-bullying work of Teen Empowerment
Directed by Jeanné Callinan

October 23-24 @ 7pm
The Somerville Theatre
Davis Square, Somerville, MA
Order tickets now via Vendini: http://goo.gl/ajZvO0
Theatre@First on Facebook

(Somerville) For first time director Jeannè Callinan, the hardest thing about her son being bullied was “the terrible feeling of being alone.” After members of her community rallied around her teenaged son and supported the family through their crisis, Callinan was compelled to let others know that they are not alone. On October 23rd and 24th at 7pm, Theatre@First presents The Bully Plays at the Somerville Theatre. Directed by Callinan as part of National Anti-Bullying Awareness Month, The Bully Plays will donate a portion of its proceeds to benefit the local anti-bullying work of Teen Empowerment (www.teenempowerment.org). Callinan is not the only production member turning negative experiences into positive engagement. Jason Hair-Wynn, an ensemble member who experienced bullying as a teenager, credits his family, specifically his mother and various local LGBT groups such as BAGLY for helping him in the face of harsh, anti-gay bullying that escalated into physical violence. A survivor of a hate crime in high school, he moved on to run workshops on making schools safer for all students. The ten one-acts chosen from the anthology The Bully Plays focus on kids within the American school system to force us to confront bullying as it happens: to our faces, behind our backs, across our social media, through our phones, and into our heads. Methods to combat aggression are brought to light on stage,often from a younger perspective than one would typically find in local community theatre.

The Bully Plays

Since 2003, Theatre@First has drawn on community talents and resources to offer thought-provoking entertainment, and to address issues of local concern through the universal language of theatre. This multi-faceted production encourages people to talk about difficult situations and come up with their own
strategies, perhaps by connecting to resources or simply by speaking with sympathetic listeners. Youth
activists from Teen Empowerment and a therapist will be available to talk after performances. Students,
teachers and parents are especially encouraged to attend. Group discounts are available for parties of six
or more by emailing groups AT theatreatfirst.org.

The Plays:
Alex by José Casas
Blu by Gloria Bond Clunie
The Bully Pulpit by Dwayne Hartford
Bully There Be by Lisa Dillman
Bystander Blues by Trish Lindberg
Conundrum by Brett Neveu
Downhill by Eric Coble
Final Testimony of Henry Sampson by Y York
Nobody Nose by Barry Kornhauser
“Send” by Linda Daugherty

Sep 02

Not the End of the Line for “T Plays V: Last Call”

Winning play: “SL1 12:32am,” Greer Rooney and Kevin LaVelle, Photo by Meg Taintor

Presented by Mill 6 Collaborative
Artistic directed by John Edward O’Brien
Co-managing directors: Irene Daly, Antoine A. Gagnon

Aug. 21-31, 2013
The Boston Playwright’s Theatre
Boston, MA
Mill 6 Collaborative on Facebook

Written by : Lisa Burdick, Patrick Gabridge, Emily Kaye Lazzaro, Alexa Mavromatis, Bob Murphy, Rick Park

Plays directed by: Barlow Adamson, Matt Chapuran, Mikey DiLoreto, Lindsay Eagle, Kathy Maloney, Kim Anton Myatt

Actors: Jake Athyal, Irene Daly, Jillian C. Couillard, Kelley Estes, Kevin LaVelle, Lonnie McAdoo, Mal Malme, Janelle Mills, Bob Mussett,Jason Myatt, Greer Rooney, Forrest Walter, Stephanie Yackovetsky

Review by Kitty Drexel

My apologies to the cast and crew of T Plays. I had intended to get this review out several days ago. Life interceded and prevented me from doing ago. Please accept this as compensation.

(Boston) The MBTA has its own special kind of magic that transcends beyond the brilliance of a puppy’s smile or the tragedy of a dropped ice cream cone. It affects us all, pedestrian, car-driver and commuter alike. It’s a wonder that local transit hasn’t inspired more art in Boston. That is where Mill 6 Collaborative steps in. This theatre troupe brought us six 1-act plays all inspired by the MBTA in its many forms. The playwrights pick a bus or T line out of a hat, ride the last trip of the evening and write a short play based on their experiences. They hand the show over to their assigned directors and actors who then churn out theatre for an audience three days later. The audience then votes* for their favorite. The play that wins gets to brag and return for the next round in 2014.  Continue reading

Aug 21

Flat Earth Sends “Rocket Man” to the Moon

Photo via Flat Earth Theatre Facebook page. Awesome sauce.

presented by Flat Earth Theatre
By Steven Dietz
Directed by Lindsay Eagle

August 16 – 24, 2013
Arsenal Center for the Arts
321 Arsenal Street
Watertown, MA

Flat Earth Theatre on Facebook

Review by Gillian Daniels

(Watertown) The center of Rocket Man is the unraveling life of middle-aged divorcee, Donny (Robin Gabrielli), an unsteady center for an unassuming story.  Flat Earth Theatre has certainly taken on a tough show to pull off well.  Newly single and struggling to maintain his relationship with his teenage daughter, Trisha (Mariagrazia LaFauci), Donny is having a slow-moving breakdown.  He fights back with fantasies of traveling to space and going to another reality where time travels backward and his wife, Rita (Korinne T. Ritchey), is still with him. Continue reading

Aug 05

It’s Only Torture if Organs Fail: “Why Torture is Wrong, and the People Who Love Them”

Photo Credit: Titanic Theatre Co’s Facebook page. The company is not afraid of icebergs or snuggles.

By Christopher Durang
Directed by Adam Zahler
Presented by Titanic Theatre Company

July 25-August 10, 2013
Arsenal Center for the Arts
Watertown, MA
Titanic Theatre Co Facebook Page

Review by Kitty Drexel

M for Mature. Actors occasionally appear in their underoos.

(Watertown) The attack on the two towers in NYC and the Pentagon on Sept. 11, 2001 changed the way the United States viewed itself forever. Before that day, many citizens viewed North America as the most powerful entity in the world. After 9/11, we recognized our vulnerability as a country. Almost everyone was looking for answers. There were many who turned to The Arts for catharsis. These same people reacted in anger when artists turned back to them for compassion. The Arts were supposed to provide answers. While coping with the same shock, we artists didn’t know what to do either.

It’s been 12 years since the attacks and the US is still divided. Our media has moved on to bigger and newer things. But our artists are still processing the events and asking questions. The media has given the American people plenty of reasons to explain why Taliban members attacked. Thank goodness for The Arts. Playwright Christopher Durang hasn’t given up on understanding the U.S.’s response to the attacks of 9/11. Rather than focus on the “badness” of Ossama Bin Laden*, Why Torture is Wrong, and the People Who Love Them ponders the American people’s decade-long reaction from the perspective of western, 20/20 hindsight. He peppers his absurdist play with Dadaism and panic. The script is a sweet bouquet of human experience and dramatic flair. Continue reading

Jul 29

Of Two Minds: PSYCHO BEACH PARTY

1077436_10151973249680101_1438822466_oPresented by Happy Medium Theatre Co. with Heart & Dagger Productions
by Charles Busch
Directed by Barbara DiGirolamo

July 25 – August 3, 2013
The Factory Theatre
Boston, MA
Happy Medium Theatre Co Facebook Page
Heart and Dagger Productions Facebook Page
Charles Busch Facebook Page

Review by Kitty Drexel

“Psycho Beach Party is an affectionate homage to the beach party movies of the ’60s and Gidget as well as a spoof of psychological suspense films.  By that I mean movies such as Hitchcock’s Marnie and Spellbound, or The Three Faces of Eve and The Snake Pit: films where someone has a deep-rooted neurosis and after five minutes of hypnosis a childhood trauma is revealed and the patient is well enough to buy a house in the suburbs and live happily after.  Oh, I love them all.”    – Charles Busch

(Boston) Adults of a certain age may recall Psycho Beach Party (2000) as a movie staring Buffy the Vampire Slayer heartthrob Nicholas Brendon as Star Cat. The movie also featured Lauren Ambrose as Chicklet and playwright Charles Busch as the sexy Captain Monica Stark (the movie was rewritten to give Mr. Busch a role as he had aged out of his original role as Chicklet). It is an homage to the swinging beach party movies of the 60’s and incorporates the quick and dirty psychology of an Hollywood-type gimmick to redeem the unladylike antics of a female lead. Alas, things have not changed too much for women in 50 years. Ladies still aren’t of conventional value to the public unless they can fill out a top and outwit a room full of boys. In that order. Continue reading

Jul 26

It’s Like A Jungle . . . Sometimes: HOW WE GOT ON

© Craig Bailey/Perspective Photo

Presented by Company One
by Idris Goodwin
Directed by Summer L. Williams

July 19-August 17
Boston Center for the Arts
Boston, MA
Company One Facebook Page

Review by Noe Kamelamela

(Boston) Company One has spent over a decade in Boston bringing theater to bear on a list of problems, which is nearly as long as their list of awards.  Their latest is a vibrant production that lays down a phat beat for diversity.  The audience I sat in was the most visibly excited and diverse audience I’ve experienced all year, possibly due to one of its key topics:  hip-hop. Continue reading

Jul 24

Ladies Pondering Lives, Fashion in “Love, Loss, and What I Wore”

Presented by Hub Theatre Company of Boston
by Nora & Delia Ephron
based on the book by Ilene Beckerman
directed by Paula Plum

July 19 – August 3, 2013
The First Church in Boston
66 Marlborough Street
Boston, MA 02116
Hub Theatre Co of Boston Facebook Page

Review by Gillian Daniels

(Boston) Until recently, I scorned “chick lit” and “chick flicks,” resenting the idea that light, fluffy fare was meant for women alone.  I’ve begun to wonder, however, if the label has been stuck on books and films having to do with women because of how the material is approached or because it’s about women, period.  It’s an insulting, dismissive label and it would be a little too easy to slap it on Love, Loss, and What I Wore. Continue reading

Jul 21

Beyond The Curtain of Fear: B.U.M.P. at Improv Boston

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Art courtesy of B.U.M.P. FB Page

Presented by Improv Boston
Managed by Ministry of Theater
Directed by Bryan Dunn
Produced by Pablo Rojas

June 28th – August 2nd, Fridays at 10pm
Improv Boston Mainstage Cambridge, MA
B.U.M.P. Facebook Page

Ensemble: Brian Agosta, Autumn Gillete, Corey O’Rourke, Sophie Shrand, Tim Stonelake, Christina Toohey, Marissa Wakuna, Misch Whitaker

Review by Kitty Drexel

(Cambridge) Boston’s Unscripted Musical Project at Improv Boston (formerly at Improv Asylum) is a good time. There’s cold beer and other beverages in the lobby. The seats are comfortable in the intimate mainstage theater. The cast will have you figuratively laughing your ass off in the first 10 minutes of the show. For these reasons and many more, B.U.M.P. is great – but it’s not for everyone. Continue reading

Jul 19

Strung Together with Friends and Family: THE SHAKESPEAREAN JAZZ SHOW

Photo Credit: Tripp Clemens

Presented by ArtsEmerson
“Conceiver”, Director – Alex Ates
Composer, Musical Director: Patrick Greeley
Puppeteers – Christina Kuchan, Orrin Whalen
Created by Alex Ates & Patrick Greeley

The Shakespearean Jazz Show is a Boston-born project created by young artists from Emerson College and Berklee College of Music.

July 18 & 19, 2013 at 8pm
Paramount Center Mainstage
Boston, MA
ArtsEmerson Facebook Page
Berklee College of Music Facebook Page
The Nine Worthies band Tumblr

Review by Kitty Drexel

(Boston) There is so much potential for greatness in The Shakespearean Jazz Show that it’s truly tragic that it falls so far from its mark. Patrick Greeley writes some damn fine music; the Nine Worthies are a great band (I’m looking at you Jamila Dunham); the vocalists are quite sincere, the shadow puppets are very clever… But these separate elements do not make art on their own. They must be strung together. The talented members of Jazz Show did not make this happen. Continue reading